Explore Artists

Shanti Das (also spelled Shanti Das or Shanti Das) was an Indian film art director and set decorator who was active from the 1950s to the 1990s. He also worked as an art director on the Nepali film Maitighar (1966). A master craftsman of the golden age of Hindi cinema, he worked on over two hundred films and helped define the visual language of mainstream Bollywood. He died on August 14, 2011 in Mumbai, Maharashtra, India.

Jaidev (1918–1987) was a respected Indian music composer known for his soulful melodies and strong foundation in Indian classical music. Born on 3 August 1918 in Nairobi, Kenya, he later moved to India where he trained in classical music and began working in the Hindi film industry.Jaidev composed music for several acclaimed films, including Hum Dono, Reshma Aur Shera, and Gaman. His music was widely praised for its depth, simplicity, and classical influence. During his career, he received the National Film Award for Best Music Direction three times.Jaidev also contributed to Nepali cinema by composing the music for the historic film Maitighar, helping enrich its musical quality. His legacy remains significant in both Indian and Nepali film music history.

K. H. Kapadia was an Indian cinematographer who contributed to the visual production of the historic Nepali film Maitighar. He worked as part of the camera and cinematography team that helped shape the film’s visual style.During the 1960s, Nepal had limited technical resources for filmmaking, so experienced technicians from India were invited to collaborate on major productions. Kapadia’s involvement in Maitighar brought professional cinematography techniques that enhanced the film’s overall production quality.Although detailed biographical information about K. H. Kapadia is limited, his work in Maitighar remains part of the early technical collaboration between the Nepali and Indian film industries, helping establish higher visual standards in Nepali cinema.

K. Nanda was the editor of the historic Nepali film Maitighar. As the film editor, K. Nanda was responsible for assembling and refining the filmed scenes into a coherent narrative, ensuring the proper flow, pacing, and continuity of the movie.During the 1960s, Nepal’s film industry was still in its early stage, so experienced technicians from India were often involved in major productions. K. Nanda’s editing work in Maitighar contributed to the film’s professional presentation and helped shape one of the landmark productions in the history of Nepali cinema.Although detailed biographical information about K. Nanda is limited, their role as editor of Maitighar reflects the important collaboration between Nepali and Indian film technicians during the early development of Nepal’s film industry.

Asha Bhosle (born 8 September 1933) is one of South Asia’s most celebrated playback singers, renowned for her versatility across filmi, classical, ghazal, folk, and pop genres. Her connection to Nepal is rooted in her collaborations with legendary Nepali composer Ranjit Gazmer (Kancha Da), through whom she recorded several Nepali film songs. Her most iconic Nepali hits include “Mohani Lagla Hai” and “To Bachunjeli Lai” from the film Badalindo Aakash (1982), songs that remain evergreen in Nepal. With a Guinness World Record for most studio recordings and honors like the Dadasaheb Phalke Award and Padma Vibhushan, she holds a revered place in Nepali musical memory.

Shreedhar Khanal was a Nepali film personality associated with the early development of Nepali cinema. He is best remembered for his involvement in the 1968 Nepali film 'Hijo Aaja Bholi', where he contributed as one of the key creative figures in the production.Khanal belonged to the generation of artists and technicians who worked during the formative years of Nepal’s film industry. At a time when filmmaking resources and infrastructure were limited, he played a role in helping establish socially themed cinema that reflected Nepali culture, traditions, and changing social values.Although detailed documentation about his life and career is limited, Shreedhar Khanal is remembered as one of the early contributors who helped shape the foundation of Nepali filmmaking during the 1960s.

Indra Lal Shrestha was an actor associated with early Nepali cinema during the formative years of the country’s film industry. He appeared in several classic Nepali films and is remembered for his contributions to the development of acting in Nepali movies during the 1960s and 1970s.One of the films connected with his name is Hijo Aaja Bholi, a social drama that portrayed the transition of Nepali society from traditional values to modern ideas. Through such films, Indra Lal Shrestha helped bring realistic characters and social themes to the screen at a time when Nepali cinema was still in its early stage.Although detailed records about his personal life and full filmography are limited, Indra Lal Shrestha remains part of the generation of pioneers who contributed to the growth of Nepal’s early motion picture industry.

Rita Thapa is an actress from the movie- Parivartan (1971). She was a Nepali film personality associated with the early development of Nepali cinema. Although detailed documentation about her life and career is limited, she is remembered as one of the early contributors who helped shape the foundation of Nepali filmmaking in the 1970s.

Yagya Nath Ghimire is an actor from the Movie- Parivartan (1971). He was a Nepali film personality associated with the early development of Nepali cinema. Although detailed documentation about her life and career is limited, he is remembered as one of the early contributors who helped shape the foundation of Nepali filmmaking in the 1970s.

Janardan Sama (1903–1981) was a prominent Nepali poet, playwright, and literary figure who made a major contribution to the development of modern Nepali drama and theatre. Born in Kathmandu, he became one of the most influential writers in Nepali literature and is often called the “Shakespeare of Nepal.” His writings introduced psychological depth, social themes, and dramatic structure to Nepali plays.Sama wrote several important literary works, including the famous plays Prem Pinda, Mutuko Byatha, and Aago ra Pani, which became milestones in Nepali theatre history. His works often explored love, human emotions, morality, and social conflict.Apart from literature, Janardan Sama also had connections with early Nepali cinema. His historical drama Prem Pinda was later adapted into a successful Nepali film, helping introduce his literary works to a wider audience. Some of his poems and dramatic compositions were also used as lyrics or inspiration for stage songs and musical performances in Nepali theatre.Through his literary works, stage plays, and their later influence on films and songs, Janardan Sama left a lasting legacy in Nepal’s cultural and artistic history.

Harish Pathare, who worked as a film editor on Parivartan (1971), is a Nepali film personality associated with the early development of Nepali cinema. Although detailed documentation about his life and career is limited, we always remember him with respect as one of the early contributors who helped shape the foundation of Nepali filmmaking in the 1970s.

Tank Sharma acted in the role of hero in the film 'Paral Ko Agao'. He is a Nepali film personality associated with the early development of Nepali cinema. Although detailed documentation about his life and career is limited, we always remember him with respect as one of the early contributors who helped shape the foundation of Nepali filmmaking in the 1975s.

Indra Thapaliya is a Nepali lyricist known for his contribution to Nepali film and modern songs. He wrote lyrics for several songs during the earlier decades of Nepali cinema, helping shape the poetic style of film music at the time.Thapaliya’s lyrics often reflected emotion, romance, and social themes, blending literary expression with the musical traditions of Nepali songs. Through his work, he collaborated with composers and singers in the Nepali film industry and contributed to the development of Nepali film music.He is also recognized for writing songs for classic Nepali films such as Paral Ko Aago, where his lyrical work supported the film’s emotional and social storytelling.Although not widely documented compared to some other lyricists, Indra Thapaliya remains part of the generation of writers who helped build the foundation of Nepali cinematic songwriting.

Man Bahadur Mukhiya was a Nepali lyricist who contributed to Nepali film music during the early development of the country’s cinema industry. He wrote lyrics for several Nepali film songs, helping shape the poetic and emotional style of film music of that era.Mukhiya’s lyrics often reflected social feelings, romance, and the realities of rural life, which were common themes in Nepali films of the 1970s. His work is associated with classic Nepali cinema, including songs from films such as Paral Ko Aago.Although detailed historical records about his life and career are limited, Man Bahadur Mukhiya is remembered as one of the lyricists who contributed to the growth of Nepali film songwriting in its early period.

Prem Bahadur Basnet is a Nepali film director known for his contribution to the early development of Nepali cinema and for directing the culturally important film Kumari.After completing his B.Ed., Basnet received scholarships to study abroad, including one from a university in Hawaii, USA, and another to study scriptwriting at the Film and Television Institute of India in Pune, India. While many students at the time were going to the United States for higher education, Basnet chose to pursue film studies in Pune because of his strong interest in cinema.He studied there for two years, going to Pune in 1962 and returning to Nepal in 1964. After returning, he worked at Nepal’s Information Department, where he became involved in cultural and media-related activities.Having studied filmmaking, Basnet was more interested in creating original and artistic films rather than purely commercial cinema. During this period, when Nepal was invited to represent the country in international film festivals, he decided to make a film based on the living goddess Kumari tradition of the Newar community in Kathmandu.This idea eventually led to the creation of Kumari, which became an important cultural film portraying Nepal’s traditions and social life. Through his work, Prem Bahadur Basnet helped introduce culturally rooted and artistic storytelling to Nepali cinema.

Salyan K.C. was a Nepali film actor who appeared in some of the early productions of the Nepali film industry. He is known for his roles in films produced during the formative years of Nepal’s state-supported cinema.He played a leading role in Man Ko Bandh, the first film produced by the Royal Nepal Film Corporation, where he starred opposite Sushma Shahi.Salyan K.C. was also associated with the film Kumari, directed by Prem Bahadur Basnet. Through these early films, he became part of the generation of actors who helped shape the beginnings of Nepali cinema.Although detailed documentation about his full filmography is limited, Salyan K.C. remains recognized as one of the actors who contributed to the early development of Nepal’s film industry. 

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Daulat Bikram Bista (1925–2002) was a renowned Nepali writer and novelist celebrated for his portrayal of social issues, culture, and the lives of ordinary people. Born in Bhojpur, Nepal, he authored several influential novels, including Chapaiyeka Anuhar and Jyoti Jyoti Mahajyoti, the latter earning him the prestigious Madan Puraskar. His works often highlighted discrimination, inequality, and human struggles in Nepali society. Bista’s literary contributions have influenced Nepali culture and cinema, with some of his stories adapted into films, such as Sindoor, for which he is credited with the story. 

Kiran Thakuri, ScreenPlay

Miss Prabha – SingerMiss Prabha recorded 3 songs in BS 1991 (AD 1934/1935). Although additional information is missing, she remains part of the early generation of Nepali female recording artists.

Miss Hinadevi – SingerMiss Hinadevi has 6 recorded songs from BS 1991 (AD 1934/1935). Personal details and song titles are not available, yet she is remembered as one of the early female voices of the era.

Ridhhi Charan Shrestha

Anshu Maharjan is a Nepali film and television actress who began her career in the mid‑2000s, appearing in popular comedy serials such as Maha Chautari, other comedy shows, music videos, TV commercials, and the hit series Meri Bassai, where she performed alongside Jitu Nepal’s character “Mundreko Sauteni Aama.” Her early work in these widely loved programs established her as a natural performer with strong comedic timing and expressive acting.After building a solid foundation in television, she transitioned into films, appearing in projects such as Jatrai Jatra, Ganapati, Bar and Badhu, and Chameliko Poi. Her ability to shift effortlessly between comedy, drama, and character roles has made her a familiar and respected presence in both TV and cinema.

Starting from the foundational years of modern Nepali cinema, Narendra Khadka has built a distinguished career as one of Nepal’s most prolific and respected film editors. Active since 1989, he has edited more than 36 feature films, shaping the narrative rhythm and visual language of Nepali commercial and social‑themed cinema. His editorial work spans classics such as Rajamati (1995), Seemana (1996), Zameen (1998), Basanti (2000), and Prem Yuddha (2005), establishing him as a key technical figure in the industry.Beyond editing, Khadka has contributed as a story writer and chief assistant director, demonstrating a deep understanding of cinematic structure and storytelling. His long service to Nepali cinema was formally honored when he received a Lifetime Achievement Award at the 7th LG Cine Circle Awards, recognizing his decades of dedication and his role as the founding principal of the College of Film Studies.With a career spanning over three decades, Narendra Khadka remains a senior figure whose disciplined craft, technical precision, and editorial leadership continue to influence new generations of Nepali filmmakers.

(Senior Photographer • Commercial Visual Artist • Founder, Creative D Studio)Raj Bhai Suwal is one of Nepal’s leading commercial photographers, known for his versatile visual storytelling and decades‑long contribution to modern Nepali photography. Beginning his creative journey in the late 1970s, he first worked as a photojournalist for publications such as Nepal Samacharpatra, Mahanagar, and Sadhana, where his dynamic field photography established his early reputation.A multi‑skilled artist with a background in tailoring, crafts, music, and classical dance, Suwal eventually transitioned fully into still photography and visual production. He founded Creative D Studio in 2006, a Kathmandu‑based agency recognized for commercial, fashion, advertising, and portrait photography.Over the years, Suwal has become a respected mentor and industry figure, serving as Past President of the National Photojournalists Association (NPPA) and continuing to influence Nepal’s visual media landscape through studio work, training, and creative leadership.

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

Uddhab Poudel is a multi‑disciplinary Nepali film professional whose career spans more than three decades. Active since 1986, he has contributed to Nepali cinema as a producer, director, presenter, story writer, audiographer, and lyricist. His body of work includes more than 18–23 films, depending on credit category, making him one of the most versatile contributors in the industry.He is best known for producing acclaimed titles such as Pal (2011), Kusume Rumal 2 (2009), Jiwan Mrityu (2008), Ukali Orali (2004), Shahidgate (2002), and Mato Bolcha (1999). His early creative contributions include story writing for films like Arpan (1993), Pariwar (1991), and Jay Baba Pashupati Nath (1995), and lyric writing for Tilahari (1989).Across his career, Poudel has worked with major Nepali actors, directors, and production teams, and his credits span commercial cinema, musical storytelling, and technically demanding audiography work. He has also been recognized with honors such as the Lifetime Achievement Award (Infa Film Award 2070) and the Nepal Motion Picture Award (2056).

Rear Rai is a Nepali film actor active since 2016, known for his versatile performances across commercial, action, and youth‑oriented cinema. He began his acting journey with Chapali Height 2 (2016), gaining early visibility and quickly establishing himself as a rising talent. His expanding filmography includes notable titles such as A Mero Hajur 3 (2019), Yatra (2019), Ek Bhagavad Ra Ek Geeta (2023), Hattichhap (2024), Gurkha Warrior (2024), Khajure Bro (2024), Dukhi Aatma (2025), Riyal Ringgit (2025), and Janai Harayeko Manchhe (2025), reflecting a steady climb in mainstream Nepali cinema. Media profiles highlight him as a hardworking, camera‑confident performer who has also appeared in major TV commercials, including Wai Wai and Khukuri Rum. With more than nine feature films and several upcoming releases, Rear Rai continues to build his identity as a dynamic new‑generation actor in Nepali film.

Tej Rasaily is a Nepali–Sikkimese actor best known for his role in the 1985 feature film Masaal, produced by the Sikkim Film Corporation and directed by Pratap Subba. 

Rajani Sharma is a Nepali actress active during the early 1980s, known for her roles in films such as Bansuri (1981) and Masaal (1985), where she appeared as one of the prominent female performers of the period. Beginning her screen career in the early decade, she became recognized for her expressive presence and participation in the emerging wave of Nepali cinema that blended regional storytelling with evolving commercial formats. Her work during 1981–1985 reflects a concise but memorable contribution to Nepali film, with Bansuri marking her early appearance and Masaal establishing her visibility in a cross‑border Nepali production backed by Sikkim Film Corporation. 

Kehar Limbu (Kehar Sing Limbu) is a Nepali singer, songwriter, and music artist originally from Sankhuwasabha and now based in Kathmandu, known for his soulful vocal tone, modern folk‑pop style, and emotionally resonant storytelling. Active across digital platforms and mainstream music, he has released popular songs such as “Sarara Sarara,” “Baiguni,” “Samjhana,” “Soltini,” “Bahana,” and “Timi Lai Samjhera 2,” along with the 2025 live version of “Kata Chhau” from Kumari. His music blends contemporary Nepali melodies with heartfelt lyrics, earning millions of views on YouTube and strong streaming presence on Apple Music and Spotify. Kehar Limbu continues to rise as a versatile voice in the Nepali music scene, recognized for his consistency, authenticity, and ability to connect deeply with listeners.

(Singer • Music Director • Composer • Lyricist • Live Performer) Ujjwal Saagar is a Nepali singer, music director, composer, and live performer known for his soulful vocal tone, poetic songwriting, and contemporary acoustic‑fusion sound. Active since the mid‑2010s, he has built a strong digital presence through a series of critically appreciated original songs, including “The Unloved (Sunana, Timi Khusi Ta Chhau Ni?)”, “Geet Lekhu Ma Kina?”, “Madhur Jhankaar (Khamaj)”, “Maaili”, “Yaatri”, “Chhaya”, “Dailo”, and “Mrigatrishna.” As a music director and composer, Saagar is recognized for clean arrangements, emotional depth, and a signature blend of Nepali pop, soft rock, Hindustani‑influenced melodies, and cinematic soundscapes. His songs often explore themes of longing, self‑reflection, and emotional resilience, resonating strongly with young Nepali listeners.

Bikash  Khanal

Awash  Bhattarai

Ghanshyam Joshi

Ghanshyam Joshi, Film Actor

Pradip Rimal was a pioneering Nepali film director, lyricist, folklorist, and cultural researcher whose career helped shape the foundation of modern Nepali cinema. Born in 1994 BS in Lubhu, Lalitpur, he began as a folk‑song collector and playback singer before entering films. After working as an assistant director in Maitighar, he directed acclaimed films such as Ke Ghar Ke Dera, Manako Baadh, Kumari, Sindoor, Maya, and the Nepal Bhasa classic Shilu.Rimal also acted in the popular 2025 BS film Hijoo Aaja Bholi and contributed lyrics to many beloved songs, including “Kasturi Hey Baas Aauchha Bhancha” and “Yo Barshama Chhodi Malai,” sung by Narayan Gopal. His folk‑culture book on Karnali Lok Sanskriti earned him the prestigious Madan Puraskar in 2027 BS. A versatile creator, he also wrote and directed several documentaries, leaving a lasting cultural and cinematic legacy.

Devika Moktan (1985) is the actor of the film Jar.

Babita Gurung (1985) is the actor of the film Jar.

Mahendra Moktan (1985) is the actor of the film Jar.

Rai

 Sen

associate artist of nepali FIlm Industry.

associate artist of nepali FIlm Industry 

associate artist of nepali FIlm

associate artist of nepali FIlm 

Action Director

Gagan Lepcha is a veteran Nepali choreographer known for his influential work in 1980s and 1990s Nepali cinema, contributing to films such as Arko Janma (1985) and other mid‑era productions. Recognized for blending classical Nepali movement with contemporary film choreography, he helped shape the visual rhythm of early commercial Nepali films. His work is noted for clean formations, expressive storytelling through dance, and strong collaboration with directors and music directors of the era. 

Sambhu Pradhan is a respected Nepali film director, editor, and actor whose work helped shape the commercial era of 1980s–1990s Nepali cinema. Known for his emotional storytelling and strong musical‑dramatic structure, he directed memorable films such as Samjhana, Behuli, Sapana, Bishwas, and Santaan. His multi‑disciplinary contributions across directing, editing, and acting established him as one of the versatile creative figures of his generation.

Sarad Thapaliya was associated as an associate actor in the Nepali film Aadarsha Nari (1984). Although detailed information about his life and acting career is not widely available, his participation represents the contribution of supporting artists in the early years of Nepal’s film industry. Despite the limited historical records, Sarad Thapaliya’s involvement in Aadarsha Nari remains part of the legacy of early Nepali cinema and is remembered with respect. 

Honey Rauniar was an actress associated with the Nepali film Aadarsha Nari (1984), where she appeared as part of the film’s cast. Detailed information about her life and acting career is not widely available in public records. However, her involvement in Aadarsha Nari reflects the participation of emerging artists in the early phase of Nepal’s film industry. Even with limited documentation, Honey Rauniar’s contribution remains a small but meaningful part of the history of early Nepali cinema. 

Manohar Bhandari was associated as an associate artist in the Nepali film Aadarsha Nari (1984). Although detailed information about his life and career is not widely available, his participation reflects the involvement of emerging performers in the early years of Nepal’s film industry. Despite the limited records,  Bhandari’s contribution to Aadarsha Nari remains a part of the history of early Nepali cinema and is remembered with respect for her role in that period. 

 Ramsharan Basnet was associated as an associate artist in the Nepali film Aadarsha Nari (1984). Although detailed information about his life and career is not widely available, his participation reflects the involvement of emerging performers in the early years of Nepal’s film industry. Despite the limited records,  Ramsharan Basnet’s contribution to Aadarsha Nari remains a part of the history of early Nepali cinema and is remembered with respect for her role in that period. 

 Punam Lamawas associated as an associate artist in the Nepali film Aadarsha Nari (1984). Although detailed information about her life and career is not widely available, her participation reflects the involvement of emerging performers in the early years of Nepal’s film industry. Despite the limited records, Punam Lama’s contribution to Aadarsha Nari remains a part of the history of early Nepali cinema and is remembered with respect for her role in that period. 

Hem Lama was a Nepali film producer and director known for his involvement in the film Aadarsha Nari (1984). Originally a Nepali from Burma (Myanmar), he later moved to Nepal and established a business called Universal Packers Movers, a packing and moving company. Alongside his entrepreneurial work, Lama developed a strong interest in filmmaking. With the support of his brothers Manoj Pakhrin and B.P. Pakhrin, he wrote the story, screenplay, and dialogues for Aadarsha Nari and produced the film through Hem’s Experimental Movies Production. His work represents one of the independent filmmaking efforts in Nepal during the 1980s. 

Binod Pradhan is an acclaimed Nepali cinematographer whose visual mastery spans both Nepali and Indian cinema. He began his career in Nepal with films such as Saino, Basudev, and other early Nepali classics, where his naturalistic lighting and emotional framing first gained attention. Pradhan later became one of Bollywood’s most celebrated cinematographers, shaping landmark films including Rang De Basanti, Devdas, Parinda, Mission Kashmir, 1942: A Love Story, and Bhag Milkha Bhag. His poetic realism, technical precision, and storytelling depth have made him one of South Asia’s most influential visual artists.

In Bansuri (1981), Rajani Sharma played a leading role in this early Nepali film directed by Tulsi Ghimire, helping bridge his work into wider South Asian cinema. 

Banni Pradhan is a Nepali film actress and artist known for her work in classic Nepali cinema and as a director/producer in later years. She appeared in several films, including the 1981 drama Bansuri, where she was part of the main cast alongside actors like Rakesh Pandey and Rajani Sharma. Beyond acting, Banni Pradhan has been involved in filmmaking behind the camera — directing and producing Nepali films such as Priyatama (2006), Bhai Bhai (2005), Timi Nai Baseu Mero Manma (2000), and others. (thefilmnepal.com)Her career reflects both performance and creative contributions to Nepali cinema, spanning from acting roles in earlier decades to directing projects in the later years.