Ujwal Ghimire

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Laxminath Sharma is a pioneering figure in Nepali cinema, known for his multifaceted contributions as a film director, screenwriter, lyricist, production designer, and legal advisor. Born on September 24, 1945 in Barbote, Ilam, he began his career in the early 1970s with the Royal Nepal Film Corporation and later became a leading force in shaping narrative-driven Nepali films Education: MA in History, Tribhuvan University Diploma in Cinema (Direction), FTII Pune (1977) Film/TV/Animation training, AIBD Malaysia (1982) Notable Roles: Director of acclaimed films like Badlindo Aakash (1983), Shanti Deep (1989), Milan (1993), Sarangi (1994), Bidrohi (2002) Screenwriter and lyricist for Bhai Tika, Apaharan (Ekadeshma), Angalo Angaloma Legal advisor for Timro Kasam (2013) Board member at Oscar International College of Film Studies since 2003

Chhabi Raj Ojha – Nepali film producer and distributor known for shaping commercial cinema through hit films like Hero, Himmat, Kismat, and Loafer.  

Badri Adhikari is a senior Nepali theatre artist and film–television director known for his disciplined craft, social sensitivity, and long‑standing contribution to Nepal’s performing arts. Beginning his creative journey in theatre, he later became widely recognized for directing influential Nepali television serials such as Viral Bagdacha Indrawati, Maun Aakash, Sahayatri, and Koras. These works earned him a reputation for blending emotional realism with strong social themes, portraying the struggles, relationships, and cultural nuances of everyday Nepali life.As a filmmaker, Adhikari is respected for his ability to guide actors toward natural, grounded performances and for maintaining a thoughtful, character‑driven visual style. His career reflects a deep commitment to storytelling rooted in community, culture, and human experience. Beyond his own achievements, he is also known as the father of acclaimed Nepali actress Keki Adhikari, whose artistic discipline and sensibility are often attributed to his influence