Yogesh Ghimire

Dayaram Dahal (born 27 May 1970, Kavrepalanchok) is a veteran Nepali filmmaker active since the late 1980s, known for his multi‑disciplinary contributions as a director, actor, producer, writer, lyricist, and music director. He began his career in 1987–1990 as an assistant director before rising to prominence in the 1990s, becoming one of Nepal’s highest‑paid directors of the era. His film Nepal (2007) became the first Nepali feature film partly shot in the United States, marking a milestone in the industry. Dahal has directed, acted in, or contributed musically to over 60 films, including major hits such as Thuldai, Ta Ta Sarai Bigris Ni Badri, Ma Timi Bina Marihalchhu, Farkera Herda, and Dasgaja. He served as the Executive Chairperson of the Film Development Board of Nepal from June 4, 2020 to June 3, 2022, where he focused on policy reform, artist welfare, and institutional strengthening. He is also a founding member of the Film Directors Guild of Nepal and a long‑time contributor to multiple film associations.

Shivam Adhikari is a prominent Nepali screenwriter, director, and dialogue writer active in the film industry since the early 2000s. Credited across more than 60 films as story, screenplay, and dialogue writer—and at times as director, lyricist, and cast member—he has worked on titles such as Meri Aama (2004), Swabhiman (2010), Sanglo (2019), Kopila (2020), and the recent Pariwartan (2026). His writing has earned multiple major award nominations, including for Panchayat and Parai, establishing him as one of contemporary Nepali cinema’s key narrative architects.

Nabin Chauhan is a Nepali film director, storyteller, and founder of Artmandu, best known for his critically acclaimed feature film Unko Sweater (The Woolen Sweater). His filmmaking journey is rooted in theatre, years of creative exploration, and a transition from directing popular music videos to crafting emotionally rich, socially grounded cinema.Before entering feature films, Chauhan directed several hit music videos such as “Tinpate,” “Sunakhari,” “Baaf,” and “Batauli,” building a strong visual identity and narrative style. His shift to cinema culminated in Unko Sweater, a film celebrated for its warmth, cultural depth, and portrayal of rural Nepali life.Chauhan’s storytelling is shaped by his early years in Panchthar, his formative experiences in Shilpee Theatre, and his commitment to authentic, character‑driven narratives. His work reflects a blend of realism, emotional honesty, and cultural sensitivity, positioning him among the new generation of Nepali filmmakers redefining contemporary cinema.

Badri Adhikari is a senior Nepali theatre artist and film–television director known for his disciplined craft, social sensitivity, and long‑standing contribution to Nepal’s performing arts. Beginning his creative journey in theatre, he later became widely recognized for directing influential Nepali television serials such as Viral Bagdacha Indrawati, Maun Aakash, Sahayatri, and Koras. These works earned him a reputation for blending emotional realism with strong social themes, portraying the struggles, relationships, and cultural nuances of everyday Nepali life.As a filmmaker, Adhikari is respected for his ability to guide actors toward natural, grounded performances and for maintaining a thoughtful, character‑driven visual style. His career reflects a deep commitment to storytelling rooted in community, culture, and human experience. Beyond his own achievements, he is also known as the father of acclaimed Nepali actress Keki Adhikari, whose artistic discipline and sensibility are often attributed to his influence