Cool Pokhrel

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Bharati Upadhyaya is a renowned Nepali singer and composer, celebrated for her contributions to Nepali music. She is best known for her melodious voice and her ability to blend traditional and modern styles in her songs. Bharati's music often reflects themes of love, life, and cultural pride. Some of her popular songs include: "Mai Chhori Sundari" – A timeless classic that remains a favorite among Nepali music enthusiasts. "Birsidinu Pardo Rahechha" – A soulful track that showcases her emotive singing style. "Mayako Chhayama Maya Rakhana" – A beautiful composition that resonates with listeners. "Karmaima Chhaina Mero Maya" – A song that highlights her versatility as a singer. "Kina Kina Mero Man" – A track that captures the essence of Nepali music. Her work has left an indelible mark on the Nepali music industry, and her songs continue to inspire and entertain audiences.

Karma Gyalchen Bomzan is a versatile Nepali singer, composer, and lyricist originally from Okayti Mirik, Darjeeling, West Bengal, India. He has been based in Kathmandu since 2010 and has contributed significantly to Nepali music over the past two decades. Career & Achievements Karma Gyalchen Bomzan has composed and sung over 500 songs, spanning genres like folk, romantic, and modern Nepali music. He has also worked as a playback singer for 10 Nepali movie songs, including Megha and Bindas-3. His music often reflects the lifestyle and culture of rural Nepali communities, making his work deeply relatable to audiences. Popular Songs Some of his most well-known songs include: "Baba Ko Topi" – A classic melody song. "Cheena Jana" – A modern pop song. "Aadha Timro Aadha Mero" – A romantic Nepali song. "Dhaka Topi" – A song celebrating Nepali identity. "Aaija Daiba" – A semi-classical song with deep meaning. Awards & Recognition Karma Gyalchen Bomzan has received multiple awards, including: Hits FM Music Awards (2004 & 2005) for ChinJan Vayay Pachhi. Radio Kantipur National Award (2019) for Baba Ko Topi. Tuborg Image Awards (2018, 2019, 2022) for best vocal and best composer.

Mamata Dipabima (also credited as Mamata Dipbim) is a respected figure in Nepali music, known for her expressive vocals and contributions to modern and classic Nepali songs. Active since the late 1990s, she has released numerous albums and collaborated with prominent artists and composers like Madan Dipbim and Dipesh Pradhan. She has appeared on albums such as Mamata-1, Mamata-3: Tara Gandai, Ke Yo Maya Ho – Mamata-4, and Greencardko Lobhma. Her music blends heartfelt lyrics with melodic arrangements, often reflecting themes of love, longing, and cultural identity