Anil Shrivastava is a cinematographer known for his work in Nepali cinema, most notably for the 1981 family drama Bansuri. He was responsible for the film’s visual composition, framing, and camera work, contributing significantly to the storytelling and emotional impact of the movie. While detailed information about his broader career is limited, Shrivastava’s work on Bansuri highlights his role in shaping early Nepali film aesthetics. His contributions reflect the technical and artistic efforts of cinematographers in Nepal during the 1980s, helping to establish visual standards for narrative films in the country.
