Hom Nath Upadhyaya

Manaraja Nakarmi is a Nepali musician and music director known for his extensive work in Nepal Bhasa, Nepali Aadhunik, Bhajan, and national songs. Active since the 2010s, he has composed and arranged music for numerous songs across genres, including Nepal Bhasa classics, modern Nepali pop, devotional Krishna and Buddha bhajans, and patriotic works. His credits include compositions for artists such as Mohan Shakya, Asha Nakarmi, Bishwo Nepali, Mira Rana, and Kumar Kancha, along with multiple self‑produced releases on his YouTube channel.

Chandra Kumar Rasaili, popularly known as CK Rasaili, is a Nepali musician, composer, and lyricist. He was born in Baluchistan, Pakistan, while his father was serving in the British Army. He later studied in Meghalaya, India, where he played in an orchestra before moving to Nepal. Rasaili gained recognition after performing at Rastriya Nach Ghar during King Mahendra’s birthday celebration, where the King personally gave him a song to compose. He has worked with Radio Nepal and composed music for Nepal Police and Nepal Army. His contributions to Nepali music earned him prestigious awards, including the Narayan Gopal Memorial Award (2017) and the Natikaji National Music Award. Some of his notable songs include: Premko Mala Kasari Ma Bhuleu Aankha Dekhi Ojhel Jannma Garidein Kahilekahi Ma Haschu Dukheko Dil His compositions reflect themes of love, nostalgia, and cultural identity, making them resonate deeply with audiences.

Rabin Lal Shrestha is a Nepali tabla virtuoso and music educator known for his contributions to classical and devotional music in Nepal. Born in Kathmandu, he has been a leading figure in preserving and teaching the tabla tradition for several decades, both as a performer and as a mentor to young musicians. Key facts Birthplace: Kathmandu, Nepal Primary Instrument: Tabla Teaching Position: Lalit Kala Campus, Bhotahiti (since 1989) Notable Albums: Tabla Solo, Grand Rehearsal Collaborations: Suresh Raj Bajracharya (sarod), Prabhu Raj Dhakal (vocals) Musical training and influences Shrestha began studying tabla at the age of ten, inspired by bhajans sung by his father. His early training was under Sadhuram Manandhar, followed by advanced tutelage from Ganesh Raj Wonta, Nara Raj Dhakal, Homnath Upadhyaya, and Sambhu Prasad Misra. This diverse lineage grounded him in the North Indian classical tradition while connecting it to Nepal’s own devotional music culture. Teaching and mentorship Since joining Lalit Kala Campus in 1989 after three years at Holy Garden School, Shrestha has educated generations of students through structured intermediate and diploma programs. His classes maintain a rigorous schedule, emphasizing rhythm discipline and improvisational skill. He is regarded as a key figure in institutionalizing tabla education in Nepal. Performances and recordings Beyond teaching, Shrestha regularly performs at Kathmandu’s Hotel Vajra in a long-running program titled Dafa. He has toured internationally—including performances in Europe with sitarists Tarabir and Bijaya Vaidya—and released two albums: Tabla Solo, accompanied by his instructional book Dafa, and Grand Rehearsal. His work bridges traditional and contemporary interpretations of tabla music. Legacy Rabin Lal Shrestha continues to inspire Nepal’s younger generation of classical musicians. His dual role as performer and educator has made him a cornerstone of the country’s evolving Hindustani percussion scene, ensuring the tabla’s rhythmic heritage remains vibrant in modern Nepal.

JB Lama is one of Nepal’s senior and most respected flutists, widely recognized for his decades‑long contribution to Nepali modern, folk, and film music. He has collaborated with legendary icons including Narayan Gopal, Gopal Yonjan, Nati Kaji, Fatteh Man, and many others, shaping the sound of Nepali music across multiple eras. Lama is also credited with creating his own flute‑playing pattern, a stylistic signature still followed by many contemporary flutists.