Explore Artists

Ranjit Gazmer (also spelled Ranjit Gajmer) is a renowned Nepali film music composer, arranger, and instrumentalist known for his major contributions to Nepali cinema and South Asian music. Born on October 3, 1941, in Darjeeling, India, he developed an early passion for music and studied under legendary composer Amber Gurung at the Art Academy of Music in Darjeeling.Gazmer began his professional journey as a studio musician at Radio Nepal in the late 1960s before moving to Mumbai in 1971, where he worked closely with the legendary Bollywood composer R. D. Burman. As a skilled percussionist—particularly known for playing the Nepali madal—he contributed to numerous Hindi film recordings and became part of Burman’s core musical team for many years.He later established himself as one of the most influential music directors in Nepali cinema, composing music for many classic films such as Samjhana, Kusume Rumal, Saino, Lahure, and Darpan Chhaya. His music played a significant role in shaping the sound and popularity of modern Nepali film songs.Gazmer is also credited with arranging one of the early Nepali songs sung by Asha Bhosle, helping bridge Nepali and Indian film music cultures. Over decades of work as a composer, arranger, and instrumentalist, Ranjit Gazmer has remained one of the most respected figures in Nepali film music history.

Deepak Das is a cinematographer who worked in Nepali cinema during the 1980s. He is best known for his work as the director of photography for the Nepali film Masaal (1985), directed by Pratap Subba.Although detailed biographical information about his life and career remains limited in public records, Deepak Das contributed to the visual storytelling of early Nepali films through his work behind the camera. His cinematography in Masaal reflects the technical efforts of filmmakers who helped shape the visual style of Nepali cinema during its developing years in the 1980s. Despite scarce documentation, his work remains part of the historical record of Nepali film production.

Gangadhar Naskar is a Editor who worked in Nepali cinema during the 1980s. He is best known for his work as the film Editor for the Nepali film Masaal (1985), directed by Pratap Subba.

Gangadhar Naskar is a Sound Designer who worked in Nepali cinema during the 1980s. He is best known for his work as the film Sound Designer for the Nepali film Masaal (1985), directed by Pratap Subba.

Udit Narayan Jha is a renowned Nepali-Indian playback singer widely celebrated for his melodious voice and major contributions to South Asian film music. He was born on December 1, 1955, in Baisi, Saptari, Nepal. Udit Narayan began his musical journey by singing for Radio Nepal before moving to India to pursue a professional career in playback singing.He gained international recognition after singing the hit song “Papa Kehte Hain” in the 1988 Hindi film Qayamat Se Qayamat Tak, which established him as one of Bollywood’s leading singers. Over the decades, he has recorded thousands of songs in Hindi, Nepali, and many other languages.Throughout his long and successful career, Udit Narayan has received numerous honors, including multiple Filmfare Awards as well as India’s prestigious civilian awards, the Padma Shri and Padma Bhushan. He remains one of the most respected and influential voices in Nepali and Indian film music.

(Playback Singer • Actress • Choreographer • Chief Assistant Director • Golden‑Era Voice of Nepali Cinema)Bharati Ghimire (also credited as Bharati Gajmer) is one of the most prolific and respected female playback singers of Nepali cinema’s golden era (1980s–1990s). Active since 1981, she has contributed vocals to more than 20+ classic Nepali films, including Basudev, Kusume Rumal, Lahure, Deuta, Dakshina, Chino, Rahar, and Dui Thopa Aansu. Her voice—soft, expressive, and emotionally rich—became a defining sound of Nepali film music for two decades.Beyond singing, Bharati Ghimire also worked as an actress, choreographer, and chief assistant director, making her one of the few multi‑disciplinary female artists of her generation.

(Legendary Actor • Iconic Villain • Nepali, Bollywood & Bhojpuri Star)Sunil Thapa (19 May 1957 – 7 February 2026) was one of the most influential actors in Nepali cinema, celebrated for redefining villainy and character acting across Nepali, Bollywood, and Bhojpuri films. Born in Dang, Nepal, he began his acting career in Bollywood with Ek Duuje Ke Liye and went on to become a household name in Nepal through unforgettable roles—most famously “Rate Kaila” in the cult classic Chino (1989).His career spanned 1974–2025, with more than 150+ films, making him one of the most prolific actors in Nepali film history.He passed away on 7 February 2026 in Kathmandu, leaving behind a monumental legacy in South Asian cinema.

Anjan Das is a name shared by two notable South Asian filmmakers:Anjan Das (Nepal) — a Nepali film director and cinematographer best known for the 1985 feature film Arko Janma, where he served as both director and DOP. His work represents the mid‑era evolution of Nepali cinema, emphasizing grounded visuals and character‑driven storytelling.Anjan Das (India) — an acclaimed Indian art‑house filmmaker associated with Bengali parallel cinema, known for internationally recognized films such as Saanjhbatir Rupkathara, Faltu, and Achin Pakhi. His work has been screened at global festivals and is known for poetic realism.

Ranjan Pandey, Sound Designer

Pema Lama, Playback Singer

Prakash Kovid, story

Kiran Thakuri, ScreenPlay

Gagan Lepcha is a veteran Nepali choreographer known for his influential work in 1980s and 1990s Nepali cinema, contributing to films such as Arko Janma (1985) and other mid‑era productions. Recognized for blending classical Nepali movement with contemporary film choreography, he helped shape the visual rhythm of early commercial Nepali films. His work is noted for clean formations, expressive storytelling through dance, and strong collaboration with directors and music directors of the era. 

Action Director

associate artist of nepali FIlm 

associate artist of nepali FIlm

associate artist of nepali FIlm Industry 

associate artist of nepali FIlm Industry.

 Sen

Rai

Mahendra Moktan (1985) is the actor of the film Jar.

Babita Gurung (1985) is the actor of the film Jar.

Devika Moktan (1985) is the actor of the film Jar.

Pradip Rimal was a pioneering Nepali film director, lyricist, folklorist, and cultural researcher whose career helped shape the foundation of modern Nepali cinema. Born in 1994 BS in Lubhu, Lalitpur, he began as a folk‑song collector and playback singer before entering films. After working as an assistant director in Maitighar, he directed acclaimed films such as Ke Ghar Ke Dera, Manako Baadh, Kumari, Sindoor, Maya, and the Nepal Bhasa classic Shilu.Rimal also acted in the popular 2025 BS film Hijoo Aaja Bholi and contributed lyrics to many beloved songs, including “Kasturi Hey Baas Aauchha Bhancha” and “Yo Barshama Chhodi Malai,” sung by Narayan Gopal. His folk‑culture book on Karnali Lok Sanskriti earned him the prestigious Madan Puraskar in 2027 BS. A versatile creator, he also wrote and directed several documentaries, leaving a lasting cultural and cinematic legacy.

Ghanshyam Joshi, Film Actor

Ghanshyam Joshi

Awash  Bhattarai

Bikash  Khanal

(Singer • Music Director • Composer • Lyricist • Live Performer) Ujjwal Saagar is a Nepali singer, music director, composer, and live performer known for his soulful vocal tone, poetic songwriting, and contemporary acoustic‑fusion sound. Active since the mid‑2010s, he has built a strong digital presence through a series of critically appreciated original songs, including “The Unloved (Sunana, Timi Khusi Ta Chhau Ni?)”, “Geet Lekhu Ma Kina?”, “Madhur Jhankaar (Khamaj)”, “Maaili”, “Yaatri”, “Chhaya”, “Dailo”, and “Mrigatrishna.” As a music director and composer, Saagar is recognized for clean arrangements, emotional depth, and a signature blend of Nepali pop, soft rock, Hindustani‑influenced melodies, and cinematic soundscapes. His songs often explore themes of longing, self‑reflection, and emotional resilience, resonating strongly with young Nepali listeners.

Kehar Limbu (Kehar Sing Limbu) is a Nepali singer, songwriter, and music artist originally from Sankhuwasabha and now based in Kathmandu, known for his soulful vocal tone, modern folk‑pop style, and emotionally resonant storytelling. Active across digital platforms and mainstream music, he has released popular songs such as “Sarara Sarara,” “Baiguni,” “Samjhana,” “Soltini,” “Bahana,” and “Timi Lai Samjhera 2,” along with the 2025 live version of “Kata Chhau” from Kumari. His music blends contemporary Nepali melodies with heartfelt lyrics, earning millions of views on YouTube and strong streaming presence on Apple Music and Spotify. Kehar Limbu continues to rise as a versatile voice in the Nepali music scene, recognized for his consistency, authenticity, and ability to connect deeply with listeners.

Rajani Sharma is a Nepali actress active during the early 1980s, known for her roles in films such as Bansuri (1981) and Masaal (1985), where she appeared as one of the prominent female performers of the period. Beginning her screen career in the early decade, she became recognized for her expressive presence and participation in the emerging wave of Nepali cinema that blended regional storytelling with evolving commercial formats. Her work during 1981–1985 reflects a concise but memorable contribution to Nepali film, with Bansuri marking her early appearance and Masaal establishing her visibility in a cross‑border Nepali production backed by Sikkim Film Corporation. 

Tej Rasaily is a Nepali–Sikkimese actor best known for his role in the 1985 feature film Masaal, produced by the Sikkim Film Corporation and directed by Pratap Subba. 

Rear Rai is a Nepali film actor active since 2016, known for his versatile performances across commercial, action, and youth‑oriented cinema. He began his acting journey with Chapali Height 2 (2016), gaining early visibility and quickly establishing himself as a rising talent. His expanding filmography includes notable titles such as A Mero Hajur 3 (2019), Yatra (2019), Ek Bhagavad Ra Ek Geeta (2023), Hattichhap (2024), Gurkha Warrior (2024), Khajure Bro (2024), Dukhi Aatma (2025), Riyal Ringgit (2025), and Janai Harayeko Manchhe (2025), reflecting a steady climb in mainstream Nepali cinema. Media profiles highlight him as a hardworking, camera‑confident performer who has also appeared in major TV commercials, including Wai Wai and Khukuri Rum. With more than nine feature films and several upcoming releases, Rear Rai continues to build his identity as a dynamic new‑generation actor in Nepali film.

Uddhab Poudel is a multi‑disciplinary Nepali film professional whose career spans more than three decades. Active since 1986, he has contributed to Nepali cinema as a producer, director, presenter, story writer, audiographer, and lyricist. His body of work includes more than 18–23 films, depending on credit category, making him one of the most versatile contributors in the industry.He is best known for producing acclaimed titles such as Pal (2011), Kusume Rumal 2 (2009), Jiwan Mrityu (2008), Ukali Orali (2004), Shahidgate (2002), and Mato Bolcha (1999). His early creative contributions include story writing for films like Arpan (1993), Pariwar (1991), and Jay Baba Pashupati Nath (1995), and lyric writing for Tilahari (1989).Across his career, Poudel has worked with major Nepali actors, directors, and production teams, and his credits span commercial cinema, musical storytelling, and technically demanding audiography work. He has also been recognized with honors such as the Lifetime Achievement Award (Infa Film Award 2070) and the Nepal Motion Picture Award (2056).

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

(Senior Photographer • Commercial Visual Artist • Founder, Creative D Studio)Raj Bhai Suwal is one of Nepal’s leading commercial photographers, known for his versatile visual storytelling and decades‑long contribution to modern Nepali photography. Beginning his creative journey in the late 1970s, he first worked as a photojournalist for publications such as Nepal Samacharpatra, Mahanagar, and Sadhana, where his dynamic field photography established his early reputation.A multi‑skilled artist with a background in tailoring, crafts, music, and classical dance, Suwal eventually transitioned fully into still photography and visual production. He founded Creative D Studio in 2006, a Kathmandu‑based agency recognized for commercial, fashion, advertising, and portrait photography.Over the years, Suwal has become a respected mentor and industry figure, serving as Past President of the National Photojournalists Association (NPPA) and continuing to influence Nepal’s visual media landscape through studio work, training, and creative leadership.

Starting from the foundational years of modern Nepali cinema, Narendra Khadka has built a distinguished career as one of Nepal’s most prolific and respected film editors. Active since 1989, he has edited more than 36 feature films, shaping the narrative rhythm and visual language of Nepali commercial and social‑themed cinema. His editorial work spans classics such as Rajamati (1995), Seemana (1996), Zameen (1998), Basanti (2000), and Prem Yuddha (2005), establishing him as a key technical figure in the industry.Beyond editing, Khadka has contributed as a story writer and chief assistant director, demonstrating a deep understanding of cinematic structure and storytelling. His long service to Nepali cinema was formally honored when he received a Lifetime Achievement Award at the 7th LG Cine Circle Awards, recognizing his decades of dedication and his role as the founding principal of the College of Film Studies.With a career spanning over three decades, Narendra Khadka remains a senior figure whose disciplined craft, technical precision, and editorial leadership continue to influence new generations of Nepali filmmakers.

Anshu Maharjan is a Nepali film and television actress who began her career in the mid‑2000s, appearing in popular comedy serials such as Maha Chautari, other comedy shows, music videos, TV commercials, and the hit series Meri Bassai, where she performed alongside Jitu Nepal’s character “Mundreko Sauteni Aama.” Her early work in these widely loved programs established her as a natural performer with strong comedic timing and expressive acting.After building a solid foundation in television, she transitioned into films, appearing in projects such as Jatrai Jatra, Ganapati, Bar and Badhu, and Chameliko Poi. Her ability to shift effortlessly between comedy, drama, and character roles has made her a familiar and respected presence in both TV and cinema.

Ridhhi Charan Shrestha

Miss Hinadevi – SingerMiss Hinadevi has 6 recorded songs from BS 1991 (AD 1934/1935). Personal details and song titles are not available, yet she is remembered as one of the early female voices of the era.

Miss Prabha – SingerMiss Prabha recorded 3 songs in BS 1991 (AD 1934/1935). Although additional information is missing, she remains part of the early generation of Nepali female recording artists.

Dalbahadur (Surname Unknown)Singer/ComposerDalbahadur is considered one of the early contributors to Nepali modern jhyaure and folk‑based recordings, active since around BS 1965 (AD 1908/1909). Archival research shows that he recorded 2 songs in BS 1970 (AD 1913/1914). The song titles and further personal details remain unavailable, but his role in the early recording era is historically significant.

Seturam Pradhan holds the distinction of being the first Nepali singer. Born in 1891 in Kathmandu, Nepal, he was a pioneer in Nepali music and played a significant role in its early development. His contributions laid the foundation for modern Nepali music, and his legacy continues to inspire artists and musicians in Nepal.

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.

Melwa Devi Gurung, also known as Melawa Devi, holds the distinction of being Nepal's first female recording artist. Born in 1954 B.S. (circa 1897) in Rumjatar, Okhaldhunga District, Nepal, she emerged as a pioneering figure in the nation's musical landscape. In 1928, Melwa Devi traveled to Calcutta (now Kolkata), British India, to record her songs, marking a significant milestone in Nepali music history. Among her notable recordings are "Na Gharlai Ghar Kahincha Nari Nai Durbar Ho" and "Sawari Mero Relaima," which resonated with many listeners and showcased her exceptional talent. Her musical prowess garnered the attention of Chandra Shumsher Jang Bahadur Rana, the Prime Minister of Nepal at the time, under whose patronage she performed. Melwa Devi's contributions not only paved the way for future generations of female artists but also enriched Nepal's cultural heritage.​ In recognition of her impact, Nepal issued a commemorative postage stamp in her honor in 2013, celebrating her legacy as an eminent singer.

Ustad Anand – Classical VocalistA prominent classical musician of BS 1985 (AD 1928/1929), Ustad Anand has 2 gramophone recordings from BS 1989 (AD 1932/1933) preserved in researcher archives. It is believed he recorded many more songs, but only two discs have been found. His influence in early Nepali ustadi tradition remains notable.

Buddhi Bahadur Pariyar was a gifted Nepali folk composer whose song “Resham Firiri” became a cultural anthem. Born in Pokhara, Pariyar grew up immersed in the rhythms of village life. In 1972, he composed “Resham Firiri Resham Firiri”, inspired by the hills and daily joys of Nepali people. The song was recorded in 1974 by Sunder Shrestha and Dwarika Lal Joshi, and quickly gained national fame. Its catchy tune and relatable lyrics made it a favorite among street performers, travelers, and diaspora communities. Despite its popularity, Pariyar remained largely uncredited, highlighting the struggles of folk creators in Nepal’s music industry. His work reflects the soul of Nepali folk traditions—simple, melodic, and deeply rooted in lived experience. “Resham Firiri” continues to echo across generations, symbolizing the enduring charm of Nepal’s musical heritage.

Praveen Gurung (लोक गायक स्वः प्रविण गुरुङ) was a talented Nepali Lok Dohori singer known for his soulful voice, powerful stage presence, and deep connection to folk culture. He dedicated his musical journey to preserving and promoting authentic Nepali lok geet, earning respect from audiences across the country. His songs often reflected themes of love, struggle, rural life, and cultural identity, making him a beloved figure in the folk community. Praveen’s popular songs include “Jhyamma Jhyamma,” “Sali Ramro Pareki,” “Badhyau Ki Maya,” “Aankha Ko Nindra,” “Kanchi Hou Kanchi,” and “Tadha Tadha,” which helped him gain wide recognition and admiration. Through his music, he created a lasting legacy that continues to inspire fellow artists and listeners even after his untimely passing. He is remembered as a humble, passionate, and influential voice in Nepali folk music.

Miss Patal (Patali) China – SingerKnown for her striking Mongolian features, she was popularly called “Miss Patal China.” Archival sources indicate she recorded 2 songs in India in BS 1988 (AD 1931/1932). Her real name, song titles, and additional biographical details are missing, yet she is recognized as one of the early Nepali female recording artists.

Miss Tara Bai – Singer (Disciple of Melawa Devi)A musical disciple of Melawa Devi, Miss Tara Bai recorded 2 songs in BS 1988 (AD 1931/1932). Although her personal background and song titles are not documented, she is remembered for carrying Melawa Devi’s vocal tradition into the early recording medium.

Miss Dulari – Singer (Disciple of Melawa Devi)Also a disciple of Melawa Devi, Miss Dulari recorded 2 songs in BS 1988 (AD 1931/1932). Beyond this, no additional information is available. She is regarded as one of the early women who helped preserve traditional vocal styles through recorded music.

Professor Bala Prasad – Singer/MusicianProfessor Bala Prasad has 2 recorded songs from BS 1989 (AD 1932/1933) documented in researcher archives. No further details are available, but he stands out as one of the rare early recording artists carrying an academic title.

Master Purnaman – Singer/ComposerMaster Purnaman is recorded as having 8 songs from BS 1990 (AD 1933/1934). Although song titles and personal details are missing, he is considered one of the most productive artists of the early 1990s (BS) recording wave.

Ustad Badri – Classical VocalistUstad Badri has 5 recorded songs from BS 1990 (AD 1933/1934) listed in archival research. Additional biographical information is unavailable, but he is recognized as a contributor to the early classical/ustadi tradition in Nepali recordings.

Master Jitu Singh – SingerMaster Jitu Singh recorded 4 songs in BS 1990 (AD 1933/1934). No further details are documented, but he is acknowledged among the active artists of that recording period.

Miss Panchawala Dasi – Singer Miss Panchawala Dasi was an Early Recording Era singer with 2 documented songs from BS 1991 (AD 1934/1935). No additional biographical details or song titles have been found in archival sources.

Bhawanicharan Das – Singer (Early Recording Era)Bhawanicharan Das is listed as an Early Recording Era artist with 2 recorded songs from BS 1992 (AD 1935/1936). Further personal and musical details remain incomplete.

Miss Chandradevi – Singer (Early Recording Era)Miss Chandradevi was an Early Recording Era vocalist with 2 recorded songs from BS 1992 (AD 1935/1936). No further information about her life or repertoire is available.