Dhana Bahadur

Dhruba KC (2003–2077 BS) was a pioneering Nepali modern singer, composer, and radio personality whose soulful voice left an indelible mark on the golden era of Nepali music. Born in Kathmandu to Yagya Bahadur KC and Padam Kumari KC, he began singing at Radio Nepal as a child in 2010 BS and quickly rose to fame with evergreen hits like “Mayalu Hazur Hunchan,” “Narou Narou Saili,” “Timro Maya Kagajko,” and “Aru Kalo Rail Ko Dhuwale.” He was also a music composer, lyricist, and one of Nepal’s first jingle creators, and even performed for King Mahendra, who awarded him a gold medal. Dhruba KC was the uncle of actor Bhuwan KC and remained a respected figure in the industry until his passing in 2021 due to Parkinson’s disease. His legacy lives on through his timeless melodies and his pioneering role in shaping modern Nepali music.

Shyam Nepali is an acclaimed Sarangi player & one of the most notable instrumentalists from Nepal.He has a worldwide following with innumerable national/international performances & a career spanning over 30 years & 50 full-length folk/contemporary albums

Anita Chalaune (अनिता चलाउने) is a vibrant and popular Nepali folk and Lok Dohori singer, known for her powerful vocals, catchy melodies, and dynamic stage presence. She has carved a niche in the modern Nepali music scene with a string of hit songs that blend traditional rhythms with contemporary flair. She’s also known for her collaborations with artists like Raju Dhakal, Rabi Oad, and Prabin Bedwal, and her songs often feature in Teej and Deuda celebrations.

Buddhi Bahadur Pariyar was a gifted Nepali folk composer whose song “Resham Firiri” became a cultural anthem. Born in Pokhara, Pariyar grew up immersed in the rhythms of village life. In 1972, he composed “Resham Firiri Resham Firiri”, inspired by the hills and daily joys of Nepali people. The song was recorded in 1974 by Sunder Shrestha and Dwarika Lal Joshi, and quickly gained national fame. Its catchy tune and relatable lyrics made it a favorite among street performers, travelers, and diaspora communities. Despite its popularity, Pariyar remained largely uncredited, highlighting the struggles of folk creators in Nepal’s music industry. His work reflects the soul of Nepali folk traditions—simple, melodic, and deeply rooted in lived experience. “Resham Firiri” continues to echo across generations, symbolizing the enduring charm of Nepal’s musical heritage.