Shyam Nepali

Hemant Rasaili (Kanchha) is a famous sarangi player of Nepal. He has been active in music since 2005. He is also a singer. He has performed in dozens of national and international music programs, studio recordings, reality shows and concerts.

Mohan Sundar Shrestha was a distinguished Nepali sarod player who dedicated nearly five decades of his life to the art of sarod performance. Despite losing vision in both eyes, he made an extraordinary contribution to the development and promotion of sarod music in Nepal. Early Life and Musical Training He was born in Kilagal, Kathmandu, Nepal. At the age of 12, he began learning the sarod under the guidance of senior sitar and sarod maestro Narayan Prasad Shrestha. His formal musical journey began in 1970, marking the start of a lifelong devotion to classical instrumental music. Professional Career In 2026 B.S., Shrestha joined Rastriya Nachghar (National Theatre) as a staff musician. From 2037 to 2068 B.S., he worked on a contractual basis as a musician at Radio Nepal. His sarod compositions were featured in songs by singer Shiv Shankar, bringing classical depth to Nepali music. He also served as a court musician at the former Royal Palace of Nepal and officially retired in 2007. A significant milestone in his life came in 2042 B.S. (1985 A.D.), when he was granted the opportunity to perform before King Birendra. After the performance, the King praised his artistry and inquired about his well-being. Upon learning of his wish for stable employment, the King recommended him to perform regularly at the Royal Palace. As a result, Shrestha performed sarod at royal events for 22 years. Following an unexpected retirement notice from Radio Nepal without prior information, he continued his musical journey by performing regularly at Hotel Annapurna. Performances and Contributions Throughout his career, he performed at several prominent venues and religious sites including: Kirateshwar Mahadev Temple, Ram Mandir Battisputali, Yala Maya Kendra & Rastriya Nachghar. He also released instrumental albums titled Favorite and Favorite–2, which featured sarod melodies cherished by classical music enthusiasts. Passing Mohan Sundar Shrestha passed away on 24 Falgun 2077 B.S. (March 8, 2021), at 6:40 PM at Green City Hospital in Kathmandu at the age of 80. Legacy Despite the immense challenges of losing his eyesight, Mohan Sundar Shrestha remained devoted to music throughout his life. His dedication, resilience, and mastery of the sarod have left a lasting legacy in Nepal’s classical music tradition. He is remembered as one of the pioneering figures in Nepali sarod performance.

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.

Born on April 14, 1977, in Byasi, Bhaktapur, she is the eldest daughter of Krishna Bdr Rajchal and Purna Kesari Rajchal. Growing up in a musically inclined family, she was inspired by her father’s love for the harmonium. Her musical journey began early—by class four, she was already performing in school programs and learning harmonium under Hari Prasad Bati. She completed her schooling at Prabhat English Boarding School and Sharda Secondary School, and later earned a bachelor’s degree from Lalit Kala Campus. Her passion for music led her to Rabindra Bharati University in Kolkata, where she earned a second bachelor's degree, followed by a master’s degree at Lalit Kala Campus upon her return to Nepal. She also holds a vocal diploma from Pragya Sangeet Samiti, Allahabad. During her studies in India, she had the opportunity to perform with an orchestra group on Rabindranath Tagore’s birthday, a turning point that helped shape her musical identity. It was in college that she discovered the sitar, an instrument that would become her primary medium of expression. Her professional career officially began in 2004 with the recording of her first song. In 2005, she released her debut album, "The Tradition", and followed it with "Talking Strings" in 2012, showcasing her evolving artistry and mastery of the sitar. Between these releases, she actively toured cities across Nepal and India, including Nepalgunj, Pune, Jharkhand, Nagpur, and Kolkata, bringing her music to diverse audiences. Her journey reflects a deep commitment to classical music and a lifelong dedication to preserving and sharing its beauty through performance and education.