Laxmi Dangol

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.

Kushal Thapa is a Nepali lead guitarist known for his versatile work across recording studios, reality‑show stages, and major live concerts. A skilled session musician, he has contributed guitar arrangements and studio recordings for various artists, bringing a blend of melodic phrasing and modern Nepali guitar style.He also performs as a band guitarist for Pramod Kharel, supporting national tours, concerts, and televised performances with expressive lead lines and strong stage presence. His experience across studio, stage, and broadcast settings has established him as a reliable and adaptable guitarist in Nepal’s contemporary music scene.

Dhrubesh Chandra Regmi is a celebrated sitar maestro, scholar, and academician from Nepal, known for his profound contributions to classical music and musicology. Born into the illustrious Regmi musical lineage, he is the great-grandson of Pt. Dev Chandra Regmi, who pioneered the sitar tradition in Nepal. Trained under his father, Prof. Satish Chandra Regmi, Dhrubesh began playing sitar at the age of eight and gave his first concert by thirteen. He holds a Ph.D. in Music from Delhi University—the first Nepali musician to do so—with a dissertation on the history of music during the Rana period. He also completed a postdoctoral Fulbright fellowship at the City University of New York on “Music for Peace and Harmony.” A founding member of the acclaimed ensemble Sukarma, Dhrubesh has performed globally and currently serves as a Professor at Padma Kanya Multiple Campus, Tribhuvan University. His legacy bridges tradition, scholarship, and performance.

Born on April 14, 1977, in Byasi, Bhaktapur, she is the eldest daughter of Krishna Bdr Rajchal and Purna Kesari Rajchal. Growing up in a musically inclined family, she was inspired by her father’s love for the harmonium. Her musical journey began early—by class four, she was already performing in school programs and learning harmonium under Hari Prasad Bati. She completed her schooling at Prabhat English Boarding School and Sharda Secondary School, and later earned a bachelor’s degree from Lalit Kala Campus. Her passion for music led her to Rabindra Bharati University in Kolkata, where she earned a second bachelor's degree, followed by a master’s degree at Lalit Kala Campus upon her return to Nepal. She also holds a vocal diploma from Pragya Sangeet Samiti, Allahabad. During her studies in India, she had the opportunity to perform with an orchestra group on Rabindranath Tagore’s birthday, a turning point that helped shape her musical identity. It was in college that she discovered the sitar, an instrument that would become her primary medium of expression. Her professional career officially began in 2004 with the recording of her first song. In 2005, she released her debut album, "The Tradition", and followed it with "Talking Strings" in 2012, showcasing her evolving artistry and mastery of the sitar. Between these releases, she actively toured cities across Nepal and India, including Nepalgunj, Pune, Jharkhand, Nagpur, and Kolkata, bringing her music to diverse audiences. Her journey reflects a deep commitment to classical music and a lifelong dedication to preserving and sharing its beauty through performance and education.