Shyam Mohan Shrestha

Pantu Naga is a Nepali cinematographer from 1980 to 1990 known for his basic visual style, natural lighting, and clear narrative framing. Active in feature films and regional productions, he brings emotional depth and visual discipline to his work.

Shambhu Sapkota is a Nepali cinematographer from Panauti, active in Nepali cinema since 1994, known for his extensive body of work across commercial and dramatic films. He has shot more than 50 feature films, contributing to the visual style of late‑1990s and 2000s Kollywood. His early credit includes Sadak (1994), and he continued through major titles such as Thuldai (1999), A Mero Hajur (2002), Kismat (2007), Ma Timi Bina Marihalchu (2008), and Rhythm (2013). His career reflects consistency, technical reliability, and long‑term collaboration with leading directors of the era.

Shiva Ram Shrestha is a highly skilled cinematographer and Director of Photography (DOP) from Nepal. He has worked extensively in the Nepali film industry and has been involved in numerous Reality Shows & projects. Notable Work Awards and Recognitions: Shiva Ram Shrestha has received acclaim for his cinematography, which contributed to the visual storytelling of many successful films. Television: He has worked with AP1 Television and Kantipur TV, contributing to various TV shows and programs. Films: Shiva Ram Shrestha has been the cinematographer for several Nepali films, including: Love Sasha (2017) Boksi Ko Ghar (2024) Degree Maila M.A 3rd Class (2024) Antaral (2013) Band Champion Nepal (2022) Crime Files (2021) Idea Studio Season 5 (2021) AP Bahas Physical to Digital Nepal (2021) AP Bahas: Banking and National Economy (2020) Shiva Ram Shrestha has been a significant figure in the Nepali film industry, known for his expertise in capturing stunning visuals and enhancing the storytelling of the films he works on. His contributions have been recognized both locally and internationally, making him a respected name in the field of cinematography.

Javed Shah is one of the foundational cinematographers of Nepali cinema’s classic era (1989–2004), known for shaping the visual language of action‑drama films through his signature gritty lighting, bold framing, and dynamic camera movement. His work spans more than 15 major feature films, making him one of the most respected technicians of his generation.