Manju Kumar Shrestha

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Krishna Bahadur Thapa is a seasoned Nepali cinematographer with more than a decade of professional experience across feature films, music videos, and commercial productions. He has worked his way up through the camera department as Assistant Cinematographer, Focus Puller, First Assistant Camera, Steadicam Operator, and Chief Assistant Cinematographer, eventually establishing himself as a full‑fledged Director of Photography.His cinematography credits include Parastree (2023), Pashupati Prasad 2 – Bhasme Don (2023), Prema (2023), and Hookah (2023), with upcoming work in Ke Ghar Ke Dera – Ghar No. 2 (2025).He has contributed to major Nepali films in key technical roles, including Aama (2020), Chiso Maanchhe (2022), Mantra (2022), Teen Jantu (2021), Ghamad Shere (2019), Ranveer (2019), Ma Yesto Geet Gaauchu (2017), A Mero Hajur 2 (2017), Saayad 2 (2017), Love You Baba (2014), and Jhola (2013).He is also a Treasurer at NEFTA (Nepal Film Technician Association) and has served as a jury member and judge in national award events, including the 6th National Inclusive Music Awards (2023).

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.