Deepak Dhakal

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Raju Khatri Chhetri is a Nepali cinematographer known for his natural‑light visual style and versatile work across feature films, music videos, and commercial productions. Active in the evolving wave of Nepali filmmaking, he has contributed to projects such as Senti Virus and Bir Bikram 2, along with numerous independent films and mainstream music videos. His cinematography emphasizes clean framing, expressive close‑ups, and grounded outdoor visuals, making him a reliable collaborator for directors across genres. Beyond films, he works extensively in brand promos, event coverage, and digital advertising, establishing himself as a consistent and adaptable DOP in the industry.

Murari Thakur is a veteran Nepali cinematographer whose career spans more than three decades, contributing to some of the most formative eras of Nepali cinema. His work begins as early as 1982 and continues through the late 2000s, covering major commercial, romantic, and social‑drama films. He is known for his consistent visual craftsmanship across both black‑and‑white and early color Nepali films.His filmography includes landmark titles such as Jivan Rekha (1982), Silu (1987), Jhuma (1991), Rakshya (1993), Daijo (1996), Chori Buhari (1996), Chamatkar (1999), Apsara (2000), and Ajambari Maya (2002).

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.