Raju Khatri Chhetri

Kishor Dhakal is a Nepalese film director, screenwriter, and cinematographer active in the commercial Nepali movie industry (Kollywood). He is best known for directing high-voltage commercial action and romance dramas during the late 2000s and early 2010s.

Krishna Shrestha is a Nepali cinematographer active since 2002, known for his versatile work across commercial, romantic, and action‑drama films in Kollywood. His career spans more than two decades, with credits in major productions such as Kranti (2002), Bhuttukai Bhaye Ni (2002), Pyari Bahini (2004), Kanoon (2007), Dhoom (2009), Dosti (2009), Man Manai Man Paraye (2011), Bodyguard (2012), Jodi No.1 (2014), Bhram (2015), Luv Sab (2015), Sakas (2017), Boyfriend (2018), and Eklavya (2019). His work is recognized for clean framing, commercial visual appeal, and consistent collaboration with mid‑2000s and 2010s Nepali film directors.

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.