Aalok Shukla

Gopal Raya Chhetri is a Nepali cinematographer and camera operator known for his work on the feature film Sarang (2025) and the crime‑drama series Crime Files (2021–2022), where he served as Director of Photography across eight episodes. His work reflects a grounded visual style, focusing on clean framing and narrative‑driven camera movement.Active in Nepal’s evolving digital‑cinema space, Raya has contributed to both long‑form and episodic storytelling, building a reputation for reliability in camera and lighting execution. His growing portfolio positions him among the new generation of Nepali cinematographers expanding into OTT‑style productions and modern Nepali feature films.

Nabaraj Uprety is a Nepali cinematographer known for his clean visual style and emotionally grounded camera work across feature films, world‑cinema collaborations, music videos, and TV commercials. Active in Nepal’s modern visual industry, he brings a blend of technical precision and artistic sensitivity, shaping stories through natural light, disciplined framing, and strong visual rhythm. Uprety represents a new generation of DOPs expanding Nepali cinematography into global, commercial, and digital spaces.

Hari Humagain is a renowned Nepali cinematographer and director. He has made a significant impact in the Nepali film industry with his exceptional skills and dedication. Hari started his career in the film industry with humble beginnings, working as a kitchen help before gradually making his way up to become one of the busiest cinematographers in Kathmandu. Hari Humagain has worked on various projects, including music videos, movies, and TV shows. Some of his notable works include the musical love story "Euta Sapana Chha" and his appearance on the popular Nepali satirical comedy show "What The Flop"

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.