Binod Pradhan

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Raju Khatri Chhetri is a Nepali cinematographer known for his natural‑light visual style and versatile work across feature films, music videos, and commercial productions. Active in the evolving wave of Nepali filmmaking, he has contributed to projects such as Senti Virus and Bir Bikram 2, along with numerous independent films and mainstream music videos. His cinematography emphasizes clean framing, expressive close‑ups, and grounded outdoor visuals, making him a reliable collaborator for directors across genres. Beyond films, he works extensively in brand promos, event coverage, and digital advertising, establishing himself as a consistent and adaptable DOP in the industry.

Deepak Bajracharya is a Nepali cinematographer whose career spans more than two decades, recognized for shaping the visual language of modern Nepali cinema through his work on critically acclaimed films such as Jhola, Woda Number 6, Bhor, Lamphoo, Paani Photo, and Mahapurush. Active since the early 2000s, he has contributed to over 25 films, consistently delivering grounded, character‑driven cinematography marked by natural lighting, cultural texture, and strong narrative alignment. His filmography includes major commercial releases as well as award‑winning social dramas, establishing him as one of Nepal’s most reliable and respected cinematographers.

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.