Nabaraj Uprety

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.

Gyanendra Sharma Humagain is a Nepali cinematographer and director of photography known for his work in the Nepali film and music video industry. He has been involved in various projects, showcasing his talent behind the camera. Some of his notable works include the cinematography for the music video "Sochma" by Sanjib Parajuli featuring The Cartoonz Crew. Gyanendra is also active on social media platforms like YouTube and Facebook, where he shares his work and engages with his audience.

Nisal Poudel is a Nepali cinematographer and Director of Photography active since 2023, known for his visual work in the feature films Kausid (2023) and Kalli. A graduate of Oscar International College (8th Batch), he represents the new generation of Nepali DOPs trained in modern film theory, visual language, and narrative‑driven cinematography.His work emphasizes naturalistic lighting, grounded realism, and character‑focused framing, bringing emotional depth to rural and contemporary Nepali stories. With a growing portfolio and collaborations on emerging Nepali films, Poudel is steadily establishing himself as one of the promising young cinematographers shaping Nepal’s evolving visual style.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.