Bhim Tuladhar

Natikaji, (Amrit Lal Shrestha) born in dec 25 1925 in Lalitpur, Nepal, is revered as one of the most influential music directors in Nepali history. A prodigy from a musical Newar family, he began playing harmonium at age seven and later joined Radio Nepal in 1950, where he composed over 2000 songs across genres. His works include timeless classics like Marna Baru Garho Hunna, Nepali Hami, and Phoolko Thunga Bagera Gayo. He also directed music for more than 15 operas and several Nepali films, including Man Ko Bandh and Sindoor. Known for blending classical depth with emotional resonance, Natikaji earned prestigious honors such as the Gorkha Dakshin Bahu and Chinnalata Geet Puraskar. His melodies continue to shape Nepal’s musical identity, making him a cultural icon. He passed away in nov 22003, leaving behind a legacy that still echoes in the hearts of Nepali music lovers.

Ratan Subedi is a Nepali singer, comedian, and film actor known for his energetic performances and humorous musical style. Active prominently between 2040–2060 B.S. (1983–2003 A.D.), he appeared in several Nepali films including Aadhi‑Beri, Sapana, Jwala, Apaharan (Ekadeshma), Anartha, Mukundo, Filim, and Nepal Pyaro Cha. Alongside acting, he gained wide popularity as the singer of the hit comedic song “Watti Baler”, which became a staple of stage shows and radio comedy programs. His musical career includes several successful albums, often created in collaboration with Nirmal Raj Paudel, such as Fashion Fashion (7 songs), Maitighar Najau (8 songs), Sansad Dohari – comedy/parody (Gaijatre audio) (7 songs), and Khabardar Hosiyar – comedy/parody (Gaijatre audio) (8 songs). Blending satire, social commentary, and folk humor, Ratan Subedi established himself as a distinctive voice in Nepal’s comedic‑musical tradition and remains a memorable figure in Nepali entertainment

Ramita Bhandari is a Nepali singer, model, and performer known for her expressive presence and versatile artistic journey. Once celebrated as a successful model, she worked across all major branches of modeling—music videos, television commercials, fashion shows, event hosting, and talent competitions—earning titles in more than a dozen talent shows. Her strong screen presence made her a familiar face on Nepali television, where she appeared in numerous music videos, advertisements, and programs.Ramita released her first solo album in 2058 BS (2001/2002 AD), marking her entry into the music industry. After a period away from the limelight, she made a notable comeback with the song “Black Handsome Boy”, written, composed, and sung by herself. Her ability to create music independently—writing lyrics, composing melodies, and performing—highlights her artistic depth and personal style.Throughout her career, Ramita has also been active in fashion shows, stage events, and media presentations, maintaining a strong connection with the entertainment field. Her return to music re‑established her identity as a singer with a unique voice and creative vision, reaffirming her place in the Nepali music and modeling industry.

Sunita Karki is a Nepali singer and television program producer/presenter known for her active contribution to the Nepali music industry and her long-running association with Nepal Television. Her work spans modern Nepali songs, lok‑pop, devotional music, and television presentation, making her a multi‑platform media personality.As a singer, she has released numerous songs across genres—modern, lok‑pop, purbeli, and devotional—consistently appearing on YouTube channels under her own name. Her catalog includes songs such as “Mero Yo Jeewan Maya,” “Karnali Pari,” “Chyangba Ko Boli,” “Ghumna Laijau,” and several Shiva bhajans, reflecting a versatile vocal identity.Parallel to her singing career, Karki has been featured as a program presenter/producer on Nepal Television, most visibly through the musical program “Sur Sadhana”, where she appears on‑screen hosting, presenting, or performing. Multiple verified images show her in the NTV studio environment, confirming her role in national broadcast media.