JB Lama

Prince Nepali is a fourth-generation Nepali sarangi player and educator. He has made significant contributions to preserving and promoting traditional Nepali folk music through his exceptional skills and dedication. Career Highlights Sarangi Player: Prince Nepali is known for his mastery of the sarangi, a traditional Nepali string instrument. He has performed with various artists and bands, including Bipul Chettri, Ani Choying Drolma, and Sujan Chapagain. Educator: He runs classes at Sarangi Ghar, where he teaches the next generation of sarangi players and works to preserve traditional Nepali music. Fusion Band: Prince Nepali co-founded the Nepali-American folk fusion band Manaslu Blue, blending Appalachian Bluegrass with Nepali folk music

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.

Rapraveen Shrestha is a talented Nepali music composer, arranger, director, and music coordinator, known for his ability to weave sonic innovation with precise technical execution. He is the Founder and Director of Pulse Studio, a dedicated creative space for music production, mixing, and mastering in Nepal. Musical Contributions Composer and arranger for songs like Biti Jane Layeko Maya, Yo Kasto, Chorera Lagyo Maya, and Hey, which demonstrate his flair for emotive musical storytelling. Professional Involvements Music Coordinator for high-profile reality shows: • Mero Dance Universe • Mero Voice Universe • Galaxy 4K • Nepal Idol Season 1 & 2 In charge of mixing and mastering, ensuring each production delivers broadcast-quality sound and artistic integrity. Founder & Director — Pulse Studio Through Pulse Studio, Rapraveen provides a collaborative hub for audio production, working with emerging and established artists alike to develop unique musical identities.

Surendra Shrestha discovered his passion for tabla at eight, imitating rhythms he heard at local ceremonies. He began formal training at nine under renowned Nepali tabla player Raju Agrawal, mastering accompaniment for folk and modern music. At fourteen, he deepened his classical foundation through eight years of study with Hom Nath Upadhaya. Beginning in 1987, he traveled regularly to Benaras to train with Pandit Chhote Lal Mishra of Kashi Hindu Vishwavidyalaya, earning advanced mastery and later achieving First Division Distinction in Sangeet Praveen (India). Shrestha debuted publicly in 1985 at Nepal’s National Theater and later co‑founded Sur‑Sudha in 1987. He has received honors from Kala Nidhi Mahavidyalaya and other cultural institutions. In recent years, he has represented Nepali classical music internationally, contributed to cultural diplomacy concerts, and mentored a new generation of percussion artists.