Ganga Thapa

Rubin Kumar Shrestha is a Nepali musician, composer, and multi‑instrumentalist best known as a core member of the folk‑instrumental ensemble Kutumba since 2004. Specializing in ID music, background score, and thematic sound design, he contributes to Kutumba’s signature sound through traditional Nepali instruments, experimental arrangements, and contemporary fusion. His work spans live performances, studio recordings, documentaries, cultural projects, and background scoring for visual media, making him one of the prominent creative forces in Nepal’s instrumental music scene.

Nhuche Bahadur Dangol is a distinguished Nepali folk music educator, researcher, and multi‑instrumentalist, widely respected for his lifelong contribution to preserving and teaching Nepal’s traditional musical heritage. As an Associate Professor at Tribhuvan University, he has dedicated more than 36 years to teaching Nepali folk music, folk musical instruments, and traditional folk tunes to new generations of Nepali students.His career reflects a rare combination of academic depth, practical musicianship, and cultural stewardship. Dangol has played a central role in documenting, teaching, and transmitting the musical traditions of Nepal’s diverse ethnic communities. His classroom work, field knowledge, and performance experience have shaped thousands of young musicians, many of whom now serve as performers, teachers, and cultural ambassadors.Known for his mastery of multiple Nepali folk instruments, Dangol emphasizes authentic technique, historical context, and cultural meaning in his teaching. His approach blends scholarship, performance, and preservation, making him one of the most influential figures in Nepali folk music education.Through decades of service at Tribhuvan University, he has contributed to curriculum development, academic research, and the institutional recognition of Nepali folk music as a formal discipline. His work continues to strengthen the identity, continuity, and global appreciation of Nepal’s musical heritage.

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.

Sunil Bardewa was a gifted Nepali pop singer, songwriter, arranger, and guitarist. Born in Kathmandu, Nepal, in 1972, he gained recognition for his exceptional guitar skills and heartfelt melodies. Bardewa was part of the band "The Matrix," which won the Sajan Smriti Pop Song Contest in 1995. His popular songs, such as "Goreto Ani Ustai Cha Galli" and "Bihani Ma," remain cherished by fans of Nepali music. Tragically, Bardewa passed away at the age of 44 on September 13, 2016. His contributions to Nepali pop music continue to inspire and resonate with listeners.