Sandip Karki

Dewasish Tamang is a Nepali lead guitarist, musician, and session performer known for his expressive playing style, technical clarity, and versatility across modern, pop, fusion, and instrumental music. He gained national visibility as a finalist in the Deepak Moktan Guitar Competition (DMGC) 2018/19, where he delivered multiple high‑level performances using ESP/LTD guitars and professional multi‑effects processors. According to the competition profile, Dewasish works as a freelance musician and session guitarist, has been involved with Nepal Idol and The Voice of Nepal as a backup musician, and has toured across Nepal and abroad.

Suraj Nepal, The Esraj player born in Nepal started a love affair with music since his childhood. He grew up listening to folk and religious tunes played during various festivals in Kathmandu. At the age of 10 he started playing madal (A Nepali percussion) and started singing folk songs since his school days. As years passed, his interest in eastern classical music and instruments grew. That’s when he met a musician friend of a relative that introduced him to Esraj and encouraged him to learn the instrument. He learnt Esraj from Guru Santosh Bhakta Shrestha who then was the only person in Nepal to play the instrument. He too was his only disciple. He received a diploma in Esraj and in 2007. Since then he’s won many accolades, performed with many international artists, played many projects, bands and function. He’s benchmark performances include Playing for Change Organization, Varanasi International Ashram, Udaipur Shilpgram Festival, CPI NTOK 2014 Korea and Wumeng Grassland Music Festival China 2016, Inner Mongolia China 2018 & Wilma Israel 2019 etc.

Phoebe Shrestha is a Nepali violinist known for her expressive bowing style, refined classical technique, and ability to blend Western orchestral sensibilities with contemporary Nepali music. Active in studio sessions, live ensembles, and collaborative projects, she brings a warm, lyrical tone to film scores, acoustic arrangements, and cross‑genre performances. Her growing presence in Nepal’s modern music scene reflects both technical discipline and a distinctive emotional clarity in her playing.

Umesh Pandit started learning flute at his early age under the guidance of flutist and founding member of Sukarma Manose Singh and Sehanai with late Pt. Madan Bhatta. As a fine musical talent, he has been honored and recognized by various national and international artistes that include an opportunity to play together with the Grammy Award winning famous Indian Classical Hawaian guitarist Pt. Vishwa Mohan Bhatt. He has performed in different places in Nepal and abroad. Umesh has proved himself as a successful composer and flutist among his fellow artistes.