Jayananda Lama

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Sashank Bohara is a Nepali film artist known for his grounded screen presence and emerging talent, gaining notable visibility through his role in Masterni (2026), where his natural acting style and character authenticity contributed to the film’s crime‑thriller narrative and ensemble performance.

Sujata KC is a prominent Nepali folk and Teej singer, widely recognized for her expressive vocal style and her contribution to modern, folk, and festival‑based music. She began her musical journey with the Teej song “Chhamchham Pauju” and later expanded into modern and playback singing, releasing popular tracks such as “Baja Bajaudai,” “Oye Kanchhi,” “Batas Bani,” “Kura Sidha Chha,” and “Rat Rati Phone Garni.” Her Teej releases remain among the most celebrated each year.She has recorded three dozen+ songs, performed across Nepal, and built a strong digital presence through trending Teej and lok‑pop hits. Her song “Baja Bajaudai” became her first to enter the YouTube “crore club,” marking a major milestone in her career.

Prashamsa Subedi is a Nepali film artist who makes her on‑screen debut in the 2026 social‑drama Lalibazar, appearing alongside Swastima Khadka and Rabindra Singh Baniya. Introduced as a new face in Nepali cinema, she represents the emerging generation of performers entering the industry through socially grounded, character‑driven films