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Gyanu Rana is a celebrated Nepali singer known for her contributions to modern and folk music. Born on October 3, 1949, in Batulechaur, Pokhara, Nepal, she grew up in a musically rich environment. Her father, Dharmaraj Thapa, was a renowned poet and folk singer, and her mother, Savitri Thapa, was a cultural promoter. Gyanu Rana's upbringing deeply influenced her musical journey. She has recorded over 2,000 songs in various languages, including Nepali, Hindi, Urdu, Bhojpuri, Maithili, and Newari. Her repertoire spans modern, classical, folk songs, bhajans, and ghazals. Some of her most iconic songs include "Siri Ma Siri Ni Kanchha" and "Manchhe Ko Maya Yaha," which she performed with the legendary Narayan Gopal. Gyanu Rana has also been a judge in national music competitions and has represented Nepal in international cultural festivals. Her career includes contributions to more than ten Nepali films as a playback singer. She retired as an Assistant Director of Music from the Royal Nepal Academy in 2006.

Bharati Upadhyaya is a renowned Nepali singer and composer, celebrated for her contributions to Nepali music. She is best known for her melodious voice and her ability to blend traditional and modern styles in her songs. Bharati's music often reflects themes of love, life, and cultural pride. Some of her popular songs include: "Mai Chhori Sundari" – A timeless classic that remains a favorite among Nepali music enthusiasts. "Birsidinu Pardo Rahechha" – A soulful track that showcases her emotive singing style. "Mayako Chhayama Maya Rakhana" – A beautiful composition that resonates with listeners. "Karmaima Chhaina Mero Maya" – A song that highlights her versatility as a singer. "Kina Kina Mero Man" – A track that captures the essence of Nepali music. Her work has left an indelible mark on the Nepali music industry, and her songs continue to inspire and entertain audiences.

​Baba Rana (बाबा राणा) is a distinguished Nepali singer renowned for her melodious voice and significant contributions to Nepali music. Born in Palpa, Nepal, she moved to Pokhara at the age of one and was raised in a musically inclined family. Her father, Colonel Dhan Bikram Rana, and her uncles were instrumental in nurturing her musical talents. She began singing at the age of nine and recorded her first song, "Dam Dam Damphu Bajeko Talai Ma," in 1971 (BS 2028) for Radio Nepal. Throughout her career, Baba Rana has recorded over 2,000 songs across various genres, including folk, modern, devotional, opera, film, and ghazals. Her notable songs include:​ "Karodau Mutuharuko Eutai Dhukdhuki Nepal" "Saaiko Ghar Kaha Ho Kaha" "Birsijane Nisturi" "He Aama Janmayau Kina" "Chautarima Ma Base Holaki"​ In recognition of her contributions, she received the "Famous Class Singer" title from Radio Nepal in 2055 BS and has been honored with awards such as the Prabal Gorkha Dakshin Bahu IV and the Indra Rajya Laxmi Puraskar. Baba Rana's dedication to music continues as she resides in Pokhara with her family, engaging in musical pursuits and honoring the legacy of her late husband, singer Saroj Gopal Bajracharya. ​

Saroj Gopal Bajracharya was a prominent Nepali folk singer and cultural figure, celebrated for his contributions to the preservation and promotion of traditional Nepali music. Born in Pokhara, Nepal, he was deeply involved in the country's musical and broadcasting landscape.​ 🎶 Musical Career Bajracharya was renowned for his soulful folk songs that resonated with audiences across Nepal. His notable tracks include:​ "Ukali Orali Chadera" "Nakkalilai Bagailagyo Jhilkele" "Mayaluko Mohani Boli" One of his songs, "Deurali Ukali Chadhera," faced a temporary ban from Radio Nepal due to a controversial lyric. However, after Bajracharya presented the song to King Birendra, the ban was lifted, and the song regained its popularity. 📻 Broadcasting Contributions Beyond his singing career, Bajracharya played a pivotal role in Nepal's broadcasting sector. He was the founding station manager of Machhapuchhre FM, a Pokhara-based radio station, through which he furthered the reach of Nepali folk music. 🧑‍🤝‍🧑 Personal Life Saroj Gopal Bajracharya was married to the esteemed singer Baba Rana (बाबा राणा), forming a duo that significantly influenced Nepali music. He passed away at the age of 65 in Pokhara, leaving behind a rich legacy in the realm of Nepali folk music.

Hira Devi Waiba (1940–2011) was a pioneering Nepali folk singer whose voice became the soul of traditional Nepali music. Born in Ambootia, Darjeeling, she was the first artist to professionally record Nepali folk songs, including the first-ever Tamang Selo track “Chura ta Hoina Astura.” Her career spanned over four decades, during which she recorded more than 300 songs and worked with prestigious platforms like All India Radio, BBC, and His Master’s Voice. She was the first Nepali folk artist to be signed by Music Nepal and remains the only Grade A folk singer with All India Radio. Her timeless songs like “Phariya Lyaaidiyechan” and “Ramri Ta Ramri” continue to resonate across generations. After her passing in 2011, her children Navneet and Satya Aditya Waiba revived her legacy through the tribute project Ama Lai Shraddhanjali. Hira Devi Waiba remains a cultural icon and guardian of Nepali folk heritage.

Daisy Baraili is a cherished figure in Nepali music, known for her emotive voice and poetic depth. Originally from Darjeeling, she rose to fame with her soulful performance of “Bhaisi Ladyo Hai Maya Bhirbata Hera”, a song that became an instant classic after airing on Radio Nepal. Her repertoire spans heartfelt ballads like “Euta Khulla Kitab”, “Bhikhari Hoon Ma”, and “Bandhan Ra Badhyatama”, many of which were featured in the beloved Paleti music series. She often collaborated with her husband, composer Chandan Lamjel, and their daughter Vimochana Lamjel has followed in her footsteps as a singer. Daisy’s music blends traditional Nepali sentiment with modern lyrical storytelling, earning her a devoted following across generations.

Karma Yonjan is a respected figure in Nepali Adhunik (modern) music, known for his lyrical depth and evocative compositions. Originally from Darjeeling, he gained recognition through his performances in the Paleti music series, where his collaborations with artists like Kumar Subba and Daisy Baraili stood out for their emotional resonance and poetic storytelling. Some of his most beloved works include: “Kati Bujhaaun” — a poignant reflection on emotional endurance, written and composed by Yonjan himself. “Samjhera Bujhera” — a duet with Dil Maya Khati that showcases his melodic sensitivity. “Mechiko Wari Basera” — a nostalgic piece performed with Kumar Subba.

Arun Thapa (1952–1999) was a beloved Nepali singer-songwriter known for his soulful voice and emotionally resonant lyrics. Born in Calcutta, India, he moved to Kathmandu as an infant and later studied in Darjeeling before returning to Nepal to pursue music. His career began in the early 1970s, with his first major hit Jati Maya Laye Pani launching him into national fame. Thapa’s music often reflected themes of love, longing, and introspection, inspired by a personal heartbreak during his college years. His compositions blended poetic depth with melodic simplicity, earning him a devoted following. He worked briefly at Nepal Bank Limited before dedicating himself fully to music, recording for Radio Nepal and releasing two acclaimed albums: Arun and The Best of Arun. Despite battling lung and liver ailments, he continued to sing until his passing in 1999. His legacy lives on through his timeless songs, many of which are considered sadabahar (evergreen) classics.

Gopal Yonjan (1943–1997) was a towering figure in Nepali music—an accomplished singer, lyricist, music director, arranger, flutist, and multi-instrumentalist. Born in Darjeeling, India, he began his musical journey with the flute, winning accolades as a young performer. His deep study of Nepali folk, Rabindra Sangeet, and classical traditions shaped a career that spanned over three decades and more than 2,000 compositions. Yonjan moved to Kathmandu in 1967 to pursue his MA in Nepali and taught music at prestigious schools while composing for Radio Nepal, Nepal Police Club, and films. His partnership with Narayan Gopal is considered the golden era of Nepali modern music. He was known for blending poetic depth with rich orchestration, often writing, composing, and arranging his own songs. His works spanned genres—patriotic, romantic, philosophical, spiritual, and children's music. He was honored with the Gorkha Dakshin Bahu, Chinnalata Song Award, and multiple Best Music Director titles. His legacy continues to inspire generations of musicians and listeners.

Om Bikram Bista (ॐ विक्रम विष्ट) is a pioneering Nepali musician, singer, and composer widely celebrated as Nepal’s “King of Pop.” Emerging in the 1970s and rising to national fame through his modern, youth‑oriented sound, he helped introduce Western‑influenced pop music to Nepal’s mainstream. His energetic vocals, melodic compositions, and charismatic stage presence made him one of the most influential figures in Nepali contemporary music. With a career spanning decades, Bista’s songs remain timeless, and his contribution continues to shape the identity and evolution of Nepali pop culture.

Danny Denzongpa is a legendary Nepali‑origin Indian actor, singer, and filmmaker whose career spans more than five decades, with over 190 films since his debut in 1971.. Born in Yuksom, Sikkim, he rose to prominence in Hindi films through memorable roles in Khuda Gawah, Agneepath, Ghatak, Hum, Andhi Gali, and many others, becoming one of the most respected character actors of his generation. As a singer, he recorded several Nepali hits, including the evergreen “Musu Musu Hasi Deu”,Rato Rani Phulejhai and “Chiso Chiso Hawama”, which remain beloved across Nepal. Danny also acted in the Nepali film Saino, a classic of Nepali cinema.  

Basu Sashi was a pioneering Nepali poet, playwright, novelist, lyricist, and translator whose creative influence spanned literature, theatre, and cinema. Born on Chaitra 13, 1993 B.S. in Pashupati, Kathmandu, he founded the literary circle Rodi, where he worked alongside Bhupi Sherchan, Krishnabhakta Shrestha, Himanshu Thapa, and Kumar Nepal. Celebrated primarily as a poet, he also excelled in drama, fiction, songwriting, and translation, publishing more than two dozen works in Nepali and Newari. He wrote for the films Maya (2047‑10‑12) and Lobhi‑Papi (2047‑12‑15), the latter being especially associated with his name. He passed away on Chaitra 4, 2049 B.S. at Tata Memorial Hospital in India, and was cremated in Kathmandu the following day.

Mohan Sundar Shrestha was a distinguished Nepali sarod player who dedicated nearly five decades of his life to the art of sarod performance. Despite losing vision in both eyes, he made an extraordinary contribution to the development and promotion of sarod music in Nepal. Early Life and Musical Training He was born in Kilagal, Kathmandu, Nepal. At the age of 12, he began learning the sarod under the guidance of senior sitar and sarod maestro Narayan Prasad Shrestha. His formal musical journey began in 1970, marking the start of a lifelong devotion to classical instrumental music. Professional Career In 2026 B.S., Shrestha joined Rastriya Nachghar (National Theatre) as a staff musician. From 2037 to 2068 B.S., he worked on a contractual basis as a musician at Radio Nepal. His sarod compositions were featured in songs by singer Shiv Shankar, bringing classical depth to Nepali music. He also served as a court musician at the former Royal Palace of Nepal and officially retired in 2007. A significant milestone in his life came in 2042 B.S. (1985 A.D.), when he was granted the opportunity to perform before King Birendra. After the performance, the King praised his artistry and inquired about his well-being. Upon learning of his wish for stable employment, the King recommended him to perform regularly at the Royal Palace. As a result, Shrestha performed sarod at royal events for 22 years. Following an unexpected retirement notice from Radio Nepal without prior information, he continued his musical journey by performing regularly at Hotel Annapurna. Performances and Contributions Throughout his career, he performed at several prominent venues and religious sites including: Kirateshwar Mahadev Temple, Ram Mandir Battisputali, Yala Maya Kendra & Rastriya Nachghar. He also released instrumental albums titled Favorite and Favorite–2, which featured sarod melodies cherished by classical music enthusiasts. Passing Mohan Sundar Shrestha passed away on 24 Falgun 2077 B.S. (March 8, 2021), at 6:40 PM at Green City Hospital in Kathmandu at the age of 80. Legacy Despite the immense challenges of losing his eyesight, Mohan Sundar Shrestha remained devoted to music throughout his life. His dedication, resilience, and mastery of the sarod have left a lasting legacy in Nepal’s classical music tradition. He is remembered as one of the pioneering figures in Nepali sarod performance.

Sushma Shahi is a talented actress known for her roles in various Nepali films. She has appeared in notable films such as Bhabhi Dian Choorian (1986), Man ko bandh (1973), and Manila Ki Bijlian (1987). Her performances have garnered attention and appreciation, making her a prominent figure in the Nepali film industry.  For those interested in exploring her work further, there are numerous videos and biographical insights available online, providing a comprehensive look at her career and contributions to cinema.

Sakuntala Sharma is a renowned Nepali actress and theatre director, celebrated for her powerful performances on stage, radio, and film. Born in 2008 B.S. in Lazimpat, Kathmandu, she began acting at the age of ten with a memorable role in the play Palansko Phool. In 2033 B.S., she entered an inter‑caste arranged marriage with actor and theatre artist Harihar Sharma. Over the years, she performed in acclaimed plays such as Kosanga Judhaun, Manis ra Mukundo, Pahad Chichyairahechha, Farkera Herdā, Kankal, Chyatitako Parda, and Parkhalbhitra, establishing herself as a leading stage performer. In the 1970s, she gained wide recognition through films like Hijo, Aaja ra Bholi and Badlindo Aakash, followed by strong roles in Vasudev, Mayapriti, Chokho Maya, Chelibeti, Sindoor, and Santaan Tharitharika. She also contributed significantly to Radio Nepal through numerous radio dramas.

Sharan Pradhan (born May 3, 1943, Darjeeling) was one of the most influential lyricists and music composers in the history of Nepali modern music, emerging as a defining creative force from 2020 BS onward. By the age of 21, he was already an established name, shaping the rise of adhunik geet alongside contemporaries like Aruna Lama and Ranjeet Gajmer. A gifted multi‑instrumentalist, Pradhan mastered banjo, mandolin, and several traditional instruments from a young age — the banjo being his earliest and most beloved. His compositions are known for their emotional depth, poetic clarity, and melodic sophistication, many of which became timeless classics recorded by Nepal’s greatest voices. His lyrical works such as “Ma Aankhama Rakhine” and “Ma Aankhaima” remain widely referenced and studied today. Sharan Pradhan’s legacy endures as a cornerstone of Nepali musical identity — a creator whose artistry elevated the emotional and musical vocabulary of an entire generation.

Sushma Shrestha, later known as Poornima, is a distinguished playback singer of Nepali Newar heritage whose voice became a defining presence in South Asian cinema. Rising to fame as a child singer in the 1970s, she delivered several timeless hits marked by clarity, emotional purity, and effortless melodic control. Alongside her celebrated Bollywood career, she contributed memorable songs to Nepali music, earning admiration across generations. With a career spanning decades, Shrestha remains recognized for her versatility, youthful vocal texture, and enduring influence on film playback singing.

Starting from her early childhood in Lazimpat, Kathmandu, Sakuntala Sharma (born 2008 B.S.) grew into one of Nepal’s most respected theatre artists and actresses, known for her expressive performances and deep commitment to stagecraft. She began acting at the age of ten with the play Palansko Phool, marking the start of a lifelong dedication to Nepali theatre. In 2033 B.S., she entered an inter‑caste arranged marriage with actor and theatre director Harihar Sharma, forming one of Nepal’s most influential artistic partnerships.Sakuntala became widely recognized for her powerful roles in acclaimed plays such as Kosanga Judhaun, Manis ra Mukundo, Pahad Chichyairahechha, Farkera Herdā, Kankal, Chyatitako Parda, and Parkhalbhitra. Her transition to cinema in the 1970s brought memorable performances in Hijo, Aaja ra Bholi, Badlindo Aakash, Vasudev, Mayapriti, Chokho Maya, Chelibeti, Sindoor, and Santaan Tharitharika. She also contributed significantly to Radio Nepal through numerous radio dramas, strengthening her legacy as a versatile and enduring performer in Nepali performing arts.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

Gautam Ratna Tuladhar is a respected Nepali visual artist and veteran film actor, widely recognized as the first color‑film villain of Nepali cinema for his memorable performance in Nepal’s first color feature film Kumari (1977). A multi‑talented figure, Tuladhar built a parallel career as a वरिष्ठ चित्रकार (senior painter) while establishing himself as a powerful screen presence across dozens of Nepali films.Emerging from Kathmandu’s artistic community, Tuladhar became known for his expressive face, controlled intensity, and ability to portray layered antagonists with dignity and emotional depth. His role in Kumari marked a turning point in Nepali film history, introducing a new visual era and giving him a lasting place in the industry’s foundational narrative.Beyond cinema, Tuladhar was deeply active in Nepal’s theatre movement. During the early BS 2040s, he performed in numerous stage productions under the Sanskriti Sansthan, contributing to a generation of socially conscious, performance‑driven Nepali theatre. His stage work strengthened his craft and shaped his reputation as a disciplined, versatile performer.Across film, theatre, and visual art, Gautam Ratna Tuladhar is remembered as a multi‑disciplinary artist whose contributions helped define the early aesthetic and emotional language of modern Nepali storytelling.

Narendra Bataju Narendra Bataju (died 2018) was a Nepali-born sitar and surbahar virtuoso renowned for his mastery of Hindustani classical music. A disciple of Ravi Shankar, he became an influential cultural bridge between South Asia and Europe through performance and teaching. Key facts Born: Kathmandu, Nepal (year not publicly documented) Died: September 2018, Paris, France Discipline: Hindustani classical (Maihar gharana) Instruments: Sitar, surbahar Based in: Paris since 1972 Early life and training Blind from birth, Bataju began learning sitar at age eight. He pursued formal training for a decade at the Conservatory of Music in Lucknow, India, earning a master’s diploma and two Grand Prizes. His prodigious skill earned recognition from Ravi Shankar, who praised his natural musicality and emotional sensitivity. Career and recordings Settling in Paris in 1972, Bataju performed for the Nepalese royal family and later across European concert halls and festivals, including the Centre Mandapa, the Musée du Quai Branly, and the Festival du Tibet et des Peuples de l’Himalaya. His recordings include Sitar: Râga Kirvani / Surbahar: Râga Gunkali (1975), Les Sitar et Surbahar de Narendra Bataju (1980), and Jog Kauns / Misra Pilu (2006). Collaborations and performances Bataju collaborated internationally, performing alongside the Egyptian oud player Hussein El Masry at Paris’s Cité de la Musique (1996) and appearing at cultural events such as France’s Festival de l’Inde. His cross-cultural work extended to Western artists, including contributions to Symphonie celtique (Tír na nÓg) by Alan Stivell. Legacy Celebrated as a pioneer of Indian classical music in France, Narendra Bataju inspired new generations of European and Nepali musicians through his teaching and emotive performance style. His artistry remains documented in a modest but significant body of recordings and archival radio broadcasts.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.  

Prakash Shrestha (born January 28 in Birgunj) is one of Nepal’s most enduring and beloved singers, known for his velvety voice and evergreen romantic melodies. Since beginning his musical journey in 1973 (2030 B.S.), he has recorded over 1,000 songs, released 12 albums in cassette and an equal number in CD format, and performed in more than 500 national and international concerts. A versatile playback singer, he has contributed vocals to over 150 Nepali films. Shrestha holds a Bachelor’s in Commerce from Thakur Ram College and a Sangeet Prabhakar diploma from Allahabad University. Before music, he excelled in sports, particularly table tennis, cricket, and football. Over his decades‑long career, he has earned deep admiration for his artistry, humility, and gentlemanly presence. His global performances span Asia, Europe, Australia, and the Middle East, making him a distinguished cultural ambassador of Nepali music.

Ram Thapa (1958–2008) was a pioneering Nepali folk singer, music director, and Radio Nepal presenter known for his humorous and socially conscious songs. Born in Kamalpokhari, Kathmandu, he began his musical career in 1974 and became a 7th Grade Music Director at Radio Nepal. He sang over 150 folk songs and directed music for more than 200, with hits like Thok Na Madal Thok, Timi Yesai Lajayau, and Ritu Haruma Timi, which was ranked 7th by BBC in 2003. He was the first to publish Nepali music books with lyrics and chords, contributing to music education. Ram Thapa also served as a judge on Nepali Tara I & II, mentoring young talent. He passed away in 2008 due to liver disease.

Mira Rana (also known as Meera Rana) is a renowned Nepali singer who has made significant contributions to the Nepali music industry. Born on September 24, 1951, she has sung over 1,600 songs in her 55-year musical career. Mira Rana is considered a part of "Nepal's first wave of recording stars," recording folk, classical, and even pop songs during the country's modernization after the fall of the Rana regime. She has collaborated with artists like Narayan Gopal, Gopal Yonjan, Kumar Basnet, Udit Narayan Jha, and Ram Thapa. In addition to her musical career, Mira Rana has also been involved in politics. She joined the Rastriya Prajatantra Party Nepal in 2009 and contested for parliament from the Kathmandu-3 constituency in 2013. She was awarded the Narayan Gopal memorial prize in 2016, shared with Gyanu Rana, in recognition of her contribution to Nepali music.

Nirmala Shrestha is a respected Nepali singer known for her contributions to the country's music industry, particularly in the golden era of Nepali music. She has captivated audiences with her melodious voice and heartfelt performances across various genres. Her melodious voice and heartfelt performances have left a lasting impact on the industry.

Ganesh Rasik is a well-known Nepali singer, musician, author, and social worker. He has made significant contributions to Nepali music and literature, particularly during the 'Ralfa' era, which played a crucial role in shaping modern Nepali music. Before joining 'Ralfa,' Rasik was more focused on writing, but his involvement in the movement made him inseparable from music. Later, he was also associated with 'Lekali,' another influential music group. Some of his popular songs include: Rato Bhale (with Hiranya Bhojpure) Timraa Sapanaahru Saaili Mero Atit Antaraal I & II Apart from music, Rasik has authored several literary works, including Kshitizlai Chhuna Khojda and Dusgajaamaa Ubhiyera Swaadhintaako Pida. His contributions have earned him numerous honors, such as the Gorkha Dakshin Baahu and Ratnashree Swarna Padak.

Mani Kamal Chhetri is a Nepali singer and composer known for his contributions to Nepali music. He has worked on various folk and modern songs, collaborating with artists like Aruna Lama and Gopal Yonjan.

Hiranya Bhojpure is a respected Nepali singer, musician, and writer, known for his contributions to folk and modern Nepali music. He was born in Deurali, Bhojpur and became a household name through his work with the Lekali music group, alongside artists like Ganesh Rasik and Urmila Shrestha. His music often reflects themes of Nepali identity, nature, and social issues. Some of his popular songs include: Rato Bhale (with Ganesh Rasik) Lahara Pahara Chhahara Ko Desh Tyamka Daanda Hara Hara Mahadev Paani De Mero Atit Ek Anjuli Ghaam (Album) Bhojpure was also a poet and writer, incorporating his hometown into his artistic identity. His work helped shape Nepali music by blending traditional elements with modern storytelling.

Kumar Kanchha is a legendary Nepali playback singer, composer, and actor, known for his soulful voice and contributions to both music and cinema. Born on 28th Mangsir 2014 B.S. in Kolkata, India, he rose to fame with timeless hits like “Jindagi Ko Ke Bhara Cha Ra,” “Amaile Bhanthin,” and “Batasale Udai Lyayo.” His album Goreto and songs like “Naina Resham” remain Nepali folk-pop classics. In addition to his musical legacy, Kumar Kanchha also made a mark as an actor. He appeared in the iconic film Saino (directed by Ugyen Chopel), where his song “Kalko Pani Rakshi Ganayo” became a cultural phenomenon. He also acted in films like Lahure and Koshili, contributing both as a performer and playback singer. Kumar Kanchha’s dual legacy in music and film has made him one of the most cherished and versatile artists in the history of Nepali entertainment.

Dil Maya Khati was a beloved Nepali singer known as the “Melody Moon” of the Himalayas. Born in 1999 BS in Ghumpahad, Darjeeling, she began singing at age five and quickly captivated audiences across Nepal, Sikkim, and Bhutan. Her golden voice earned admiration from legends like Raj Kapoor and Narayan Gopal. In 2018 BS, she debuted on Radio Nepal and won a gold medal in a national music competition. Though she recorded only 12 songs between 2018 and 2030 BS, her impact was profound. After a long hiatus, she made a triumphant return in 2056 BS with the album Shikha. Honored with numerous awards, including the Devkota Samman and Bhupal Sangeet Puraskar, she was celebrated for her emotional depth and vocal purity. Her legacy continues to inspire generations of Nepali music lovers.

Murali Dhar is a veteran singer, composer, and lyricist from Radio Nepal’s golden era. He has sung over 100 Nepali songs, along with numerous tracks in Hindi, Maithili, and Bhojpuri. Some of his most beloved songs include: "Uḍāyo Sapana Sabai Hurīle" (“The storm blew away all dreams”) "Niṣṭhurīle Māyā Garī Āphainlāī Rogī Banāyo" (“The cruel one loved and made me sick”) "Pahāḍko Pallō Ḍāḍāmā Cha Sānō Gāũ" (“There’s a small village on the far hill”) He also collaborated with Udit Narayan Jha, lending his voice to folk-style songs like "Āmāile Bhanthē Dhārāko Pānī" (“Mother used to say, water from the spout…”), which became iconic in Nepali households. Murali Dhar is not only a singer but also a popular actor, known for playing villainous and negative roles in many Nepali films. He has acted in several Hindi movies as well. His film credits include: Hindi film: Mr. India Nepali films: Samjhana, Saino, Kanyadaan, Pirati, among others He has also been involved in producing Bhojpuri and Maithili films His songs "Uḍāyo Sapana Sabai Hurīle…" and "Āmāile Bhanthē Dhārāko Pānī…" are considered timeless classics, instantly recognizable to most Nepalis.

Bishnu Bhakta Phuyal was an artist and theater actor. He had been active in Nepali cinema for a long time. Phuyal passed away on the 19th of Poush, 2073 B.S. (January 3, 2017), while performing on stage at the Rastriya Nachghar in Kathmandu. He collapsed while portraying King Janak in the play Maharshi Yagya Valkya, directed by Badri Adhikari. Despite immediate attention, he could not be revived. Phuyal was also seen in the popular comedy series Tito Satya, where he played the role of actress Deepashree Niraula’s father. In addition to television, he acted in numerous Nepali films. He had once expressed a wish to die while working in the theater—and ultimately, he departed while performing on stage. His catchphrase “Youre my love” with hip-hop style from Tito Satya made him widely recognized and beloved by audiences.

Ramchandra Adhikari (रामचन्द्र अधिकारी) is one of Nepal’s most prolific and beloved film and television artists, celebrated for his comedic timing, grounded character portrayals, and decades-long contribution to Nepali entertainment. Born in Gothatar, Kathmandu, he rose from a difficult childhood—working as a home assistant and later traveling through Hetauda, Benaras, and Sarlahi—to eventually return to Kathmandu, where his artistic journey began.His entry into acting started around 2035 BS (1978–79) with the theatre play Sachha Prem by Bhairav Aryal, whose success opened doors to wider collaborations. While working night shifts at Nepal Telecom, he spent his days performing, steadily becoming a household name.Adhikari is best known for his iconic comedic persona “Kaji Ba / Gopte Kaji”, and for his long-running role in Nepal’s most enduring sitcom Meri Bassai, where his performance became a cultural fixture. His career spans 400+ films, numerous telefilms, and television series, making him one of the most recorded actors in Nepali cinema history.His contribution was formally recognized when he became the first Nepali artist to receive life insurance from the Film Development Board—an unprecedented honor reflecting his impact on the industry.

Chandni Shah, known formally as Queen Aishwarya Rajya Lakshmi Devi Shah, was the Queen of Nepal and one of the most admired figures in modern Nepali history. Revered for her grace, intellect, and deep cultural presence, she became a beloved symbol of national pride. Beyond her royal duties, she expressed her artistic spirit through writing — composing heartfelt Nepali songs, poems, and reflective pieces that revealed her emotional depth and patriotic devotion. Her creative works, often shared under the name Chandni Shah, highlight themes of love, humanity, and the Nepali identity. Remembered as the “heart of the Nepali people,” she remains an enduring cultural and emotional icon.

Shanti Thatal (शान्ति ठटाल) is a renowned Nepali music composer and singer known for her contributions to the Nepali film industry. Born on April 4, 1938, in Darjeeling, India, she is celebrated as the first female music composer in the Nepali film industry. Shanti Thatal has composed music for several Nepali films and has more than 200 songs to her credit. Some of her well-known songs include "Mayalu Ley Samjhe Ki Kaso", "Udi Jaun Bhaney Mo Panchi Hoina", and "Samhalera Rakha". Shanti Thatal's work has earned her numerous accolades, including the Jagadamba Shree Puraskar in 2020 for her contribution to Nepali music. She has also been awarded the Master Mitra Sen Smriti Award for Music by the Sikkim government in 2002.

Kiran Pradhan is a renowned Nepali singer celebrated for his soulful voice and contributions to Nepali music. His career has been marked by his ability to evoke deep emotions through his performances, making him a cherished figure in the Nepali music scene. He has collaborated with legendary composers like Gopal Yonjan, which has further enriched his musical journey. Here are some of his most popular songs: Lakhaun Aankha Bhool Ho Tero Ke Soche Maile Timro Tyo Muskan Aankha Bhari Mero Manma Jindagi Ko Yatra Samjhana Ko Gaanth Timi Nai Hau Mero Sapana These songs showcase his versatility and the depth of his artistry.

Rachana GC is a talented Nepali folk singer celebrated for her contributions to traditional Nepali music. Her songs often reflect the rich cultural heritage and emotions of rural Nepal, resonating deeply with audiences. She has a unique ability to blend storytelling with melody, making her music both captivating and meaningful. Some of her popular songs include: "Saune Khola Urlera" – A beautiful depiction of nature and emotions. "Tara Butte Juneli" – A melodious tune that captures the essence of Nepali folk music. "Timilai Sunakhari" – A heartfelt song showcasing her vocal prowess. "Aaja Mero Karmai" – A track that resonates with listeners for its lyrical depth. "Phool Fulyo" – A song that celebrates the beauty of life and nature. Her music continues to inspire and entertain, preserving the essence of Nepali folk traditions.

Usha Kiran Adhikari is a Nepali singer known for her contributions to folk and modern Nepali music. She has performed various songs, including collaborations with artists like Shambhu Rai and Mansingh Thulung. Some of her notable works include Dherai Choti Aakha Judyo and Ukali Orali. Her music often reflects themes of love, culture, and tradition. Some of her popular songs include: Dherai Choti Aakha Judyo Ukali Orali Mohani Bhaka Aludam Chana Kholi Tarera Yo Gaunma Phool Ramro

Tika Pahari is a respected veteran actor in Nepali cinema, known for his powerful supporting roles across several decades. He gained widespread recognition for his portrayal of Raj’s father in the beloved film Darpan Chhaya (2001), and has since appeared in numerous acclaimed films such as Jeevan Sangharsha (1995), Prithvi (1994), Manjari (2013), and Dui Rupaiyan (2017), where he played the role of a smuggling boss. His performances often bring emotional depth and gravitas, making him a familiar and admired figure in both classic and contemporary Nepali films. He is also the father of actor Gaurav Pahari, continuing a legacy of artistic contribution to Nepali cinema.

Shambhu Rai (शम्भु राई) is a legendary figure in Nepali music—a singer, songwriter, composer, and sarangi player whose work bridges traditional folk and modern styles. Born in Chungmang, Dhankuta, he rose to prominence in the 1980s and 1990s with his heartfelt lyrics and distinctive voice. Some of his most iconic songs include: “Chitthi Timilai Lekhu Bhanchu” “Yo Man Bhanchha Kaha Jau” “Chalechha Batas Sustari” “Aalu Dam Chana” He is also known for his mastery of the sarangi, a traditional Nepali string instrument, which adds a soulful texture to his compositions. Beyond performance, Shambhu Rai has contributed to the institutional development of Nepali music—he currently serves as the Vice Chancellor of the Nepal Academy of Music and Drama.

Dhruba KC (2003–2077 BS) was a pioneering Nepali modern singer, composer, and radio personality whose soulful voice left an indelible mark on the golden era of Nepali music. Born in Kathmandu to Yagya Bahadur KC and Padam Kumari KC, he began singing at Radio Nepal as a child in 2010 BS and quickly rose to fame with evergreen hits like “Mayalu Hazur Hunchan,” “Narou Narou Saili,” “Timro Maya Kagajko,” and “Aru Kalo Rail Ko Dhuwale.” He was also a music composer, lyricist, and one of Nepal’s first jingle creators, and even performed for King Mahendra, who awarded him a gold medal. Dhruba KC was the uncle of actor Bhuwan KC and remained a respected figure in the industry until his passing in 2021 due to Parkinson’s disease. His legacy lives on through his timeless melodies and his pioneering role in shaping modern Nepali music.

Shisir Shrestha is a respected Nepali guitarist and music educator who trained under the legendary composer Ambar Gurung. Known for his refined technique and deep understanding of both Eastern and Western musical traditions, Shrestha contributed to numerous compositions and recordings during his time with Gurung’s team. He has performed in classical and contemporary ensembles, supporting the evolution of Nepali modern music. Beyond performance, Shrestha has mentored young musicians and promoted structured music education in Nepal. His work reflects the legacy of Ambar Gurung’s vision — blending tradition with innovation in Nepali music’s instrumental landscape.

Subha Bahadur Sunam was a legendary Nepali music composer, saxophonist, and retired Brigadier General of the Nepal Army, celebrated for shaping modern Nepali music. Active for over five decades, he began composing at age 20 and became known for blending classical and contemporary styles. He co-composed the iconic song Parkhi Basey Aula Bhani with Sambhujeet Baskota under the name ShubhaSambhujeet. As a saxophone virtuoso, he was also the music mentor to Prince Dipendra. His contributions enriched Radio Nepal’s golden era and inspired generations of musicians. Sunam passed away in 2022 at age 74, leaving behind a profound musical legacy.

Shambhu Pradhan is a respected Nepali film director, editor, and actor whose work helped define the commercial era of the 1980s–1990s. Known for directing memorable films such as Samjhana, Behuli, Sapana, Bishwas, and Santaan, he earned recognition for blending emotional storytelling with strong musical and dramatic structure. Pradhan also contributed as an editor and occasional actor, making him one of the versatile multi‑disciplinary figures of his generation. His films remain popular for their narrative clarity, character‑driven arcs, and enduring cultural impact. With a career spanning more than two decades, he is regarded as a key contributor to the growth of modern Nepali cinema.

Prakash Thapa is regarded as one of the legendary directors of Nepali cinema, known for shaping the visual and narrative style of the industry during its formative decades. Active primarily in the 1980s and 1990s, he directed several influential films that blended emotional storytelling with strong social themes, helping establish a more modern cinematic language in Nepal. Thapa earned respect for his disciplined direction, character‑driven narratives, and ability to bring out memorable performances from actors. Though less publicly documented than some of his contemporaries, his films remain admired for their craft and cultural resonance. His contribution continues to be recognized as an important chapter in the evolution of Nepali filmmaking

Nutan Pradhan is a versatile Nepali film writer, screenwriter, story writer, actress, lyricist, producer, and playback singer active since the late 1980s. She has contributed to some of Nepali cinema’s most memorable films, including Behuli, Sworga, Saraswati, Sorah Barshe Jowan, Nepal Pyaro Chha, and Rang Baijani. Known for her emotional storytelling and strong character-driven narratives, she has written dialogue, screenplay, and lyrics across multiple genres. Nutan also acted in Saraswati alongside Shiva Shrestha and Gauri Malla, and performed playback vocals in Sworga. Her multi‑disciplinary work has made her one of the most influential women creatives of her era.

Basanta Shrestha is one of Nepal’s most prolific and influential choreographers, active from the early 1980s to the present, with a career spanning more than 150 films. Known for blending classical Nepali movement with modern cinematic rhythm, he helped define the visual language of Nepali song sequences across multiple eras of filmmaking. His choreography is recognized for precision, expressive storytelling, and the ability to elevate both folk and contemporary compositions. His collaborations with leading actors, directors, and filmmakers reflect his central role in shaping Nepali film dance.

Pramod Pradhan is a versatile Nepali cinematographer whose career bridges Nepali cinema and major Bollywood productions. Early in his journey, he assisted his brother, acclaimed cinematographer Vinod Pradhan, on celebrated Hindi films such as Bhag Milkha Bhag, Rang De Basanti, Devdas, and Parinda, gaining exposure to world‑class visual craft. In Nepal, he established his own identity through hit films like Anyaya, Koseli, Chino, and Dakshina, earning recognition for dynamic camera work and emotional visual storytelling. Pramod later served as the lead cinematographer for films including Chain Khuli Ki Main Khuli and several television series, further expanding his creative range. His work reflects technical precision, narrative sensitivity, and a deep commitment to elevating Nepali visual cinema.

Subarna Chhetri is a respected Nepali film and stage artist known for her expressive performances and long association with Mahajodi’s Maha Sanchar team. She gained wide popularity through the comedy serial Hetterika, where her natural timing and character work made her a household name. Alongside television and stage shows, she appeared in notable films including Badlido Aakash (1983). Her contributions have left a lasting impact on Nepali comedy, performance culture, and mainstream entertainment.

Sanu Tamrakar is a respected senior Nepali actor known for his natural performances, disciplined craft, and long-standing contribution to stage and screen. Active for several decades, he has portrayed diverse characters with emotional clarity and cultural authenticity, earning admiration from audiences and colleagues alike. His work spans theatre, television, and film, where his grounded acting style and commitment to storytelling have made him a trusted and enduring presence in Nepali performing arts.

Ram Sharan Nepali was a prominent Nepali folk singer and Sarangi player whose work helped preserve Nepal’s traditional lok‑geet and instrumental heritage. Active from the 1980s onward, he recorded influential albums such as Folk Tunes in Sarangi (1987) and Folk Tunes in Sarangi, Vol. 2 (1988), establishing himself as a leading figure in instrumental folk music. His repertoire includes widely circulated tracks like “Sorathi,” “Sebru Dhun,” “Sanguri Bari Ni,” “Ke Ko Rang Lagyo,” and “Jina Chhake”, many of which remain available on Apple Music and Spotify. His collaborations with artists such as Tika Nepali and Geeta Devi further expanded his impact. Even after his passing, tribute releases like “Yo Keti Kaha Ko” (2025) continue to honor his legacy.

Junge Bhattarai, known professionally as Uddab Raj Bhattarai, is a Nepali actor and comedian recognized for his natural humor, expressive character work, and strong presence in contemporary Nepali entertainment. Active since the early 2010s, he has appeared in feature films such as Pahilo Pahilo Maya (2010), Hamro Maya Juni Junilai (2011), and the cult‑favorite Gaja Baja (2018), where his character performance earned him praise for authenticity and timing. Beyond films, Bhattarai is widely known for his roles in popular comedy series and digital sketches, including Hou Guji, Dera, and other situational comedy formats that highlight everyday Nepali life. His ability to portray relatable, humorous, and emotionally grounded characters has made him a familiar face among Nepali audiences. He continues to work across film, stage, and digital media, contributing to Nepal’s evolving comedic landscape.

Norbu Tshering is a respected Nepali music director and arranger known for his refined melodic craft and long contribution to modern Nepali music. He began his professional journey as an arranger in 2051 BS, working for many years at the well‑known San Studio, Kupondole, where he shaped the sound of countless recordings. Tshering arranged and composed several celebrated songs, including “Jeevan Bhanũ Ta Ghaat Chha” and “Kina Feri Maya Samjhi Taadpinchha Man,” both of which became widely admired for their emotional depth and clean musical structure. Throughout his career, he collaborated with legendary artists such as Narayan Gopal, Nati Kaji, and Bhakta Raj Acharya, contributing to recordings that helped define the era. His disciplined arrangements, warm instrumentation, and sensitive musical judgment continue to be valued as part of Nepal’s modern musical heritage.

Radio Nepal Icon • Children’s Program Pioneer • Singer • Cultural Broadcaster Basudev Munal (1949–2025) was a beloved Nepali radio presenter, singer, and cultural voice best known for shaping generations of Nepali children through his iconic Radio Nepal program “Pyaara Bhaai Bahini Ho”. Born in Biratnagar, he joined Radio Nepal early in his career and went on to serve for nearly four decades, becoming one of the most recognizable and affectionate voices in Nepali broadcasting. His warm tone, storytelling skill, and musical contributions made him a household name across Nepal. Munal passed away at age 68 while undergoing treatment for throat cancer, leaving behind a legacy deeply rooted in Nepali radio culture.

(Legendary Folk Singer • Composer • Lyricist • Cultural Voice of Nepal) Buddhi Krishna Lamichhane (1955–2021) was a revered Nepali folk singer, composer, and lyricist whose earthy voice and authentic storytelling made him one of the most beloved figures in Nepal’s lok‑geet tradition. Born in Bhaktapur, he rose to national recognition through songs that captured rural life, emotional simplicity, and the cultural soul of Nepal. His classics—especially “Pidi Ma Basera” and “Ghas Katne Khurkera”—remain evergreen staples, widely performed, remixed, and taught across generations. Lamichhane passed away at age 66 after long‑term illness (paralysis and pneumonia), leaving behind a legacy that continues to define Nepali folk identity.

(Senior Actress • Theatre Artist • Acting Educator • Chairperson, Mala Arts Academy) Chandramala Sharma is a respected senior Nepali actress and theatre artist best known for her long-standing contribution to Nepali stage performance, acting education, and cultural development. Active since the 1980s, she has appeared in Nepali films—including the 1984 feature Basudev—and has been a prominent figure in Kathmandu’s theatre community. Her leadership role as Chairperson of Mala Arts Academy positions her among the key mentors shaping Nepal’s next generation of actors.

Basanta Jung Rayamajhi is a senior Nepali choreographer and dance director known for shaping the visual language of Nepali cinema, music videos, and stage productions. With a career spanning over three decades, he has elevated Nepali choreography through refined formations, cultural aesthetics, rhythmic precision, and expressive storytelling.His work is recognized for its clarity of emotion, disciplined movement design, and strong visual composition, collaborating with leading actors and major productions across film, television, and national events.Rayamajhi continues to mentor and train emerging dancers, contributing significantly to the growth of Nepali performing arts.

Jayanendra Chand Thakuri (1942–2020) was a prolific Nepali film actor whose career helped shape the foundation of modern Nepali cinema. A former Indian Army serviceman and Jawalakhel Youth Club cricketer, he entered films with Jeevan Rekha (1982) and went on to appear in over 100 films, becoming one of the most recognizable character actors of his era. Known for his grounded performances in social dramas, romantic stories, and action narratives, he brought emotional weight and authenticity to every role. His notable works include Kanchhi, Bishwas, Maya Preeti, Pheri Bhetaula, Angarakshyak, and Parkhi Base. He remained active until 2011 and is remembered as a respected, steady pillar of Nepali cinema.