Ashok Nayak

Banish Shah is a senior Nepali film editor active since 1995, recognized for shaping modern commercial and dramatic editing in Nepali cinema. Over a career spanning nearly three decades, he has edited more than 200 films, becoming one of the most prolific editors in the industry. His work ranges from blockbuster franchises to acclaimed dramas, earning honors including the Dcine Award (2079) for Best Editor.

''Bharat Regmi'' is a music Video/Film Editor, Vfx Artist & Colorist who has been based in Nepal since 2002. He is the most noted for his music video “Ma Hu Prakriti” by Nepali rock band “The Shadows”.

Yogendra Karki is a versatile Nepalese film director, actor, editor, ad/documentary maker, and assistant director, whose dynamic presence and creative expertise have made a significant impact on the Nepali film industry. His journey into cinema began with his debut in the 2019 film Kuraute, which marked the start of a steadily rising and diverse career in filmmaking. Since stepping into the industry, Karki has continually showcased his multifaceted talents, contributing across various domains of film production. However, he is particularly recognized for his role as a highly skilled and accomplished Assistant Director, having worked on more than 25 films. His ability to coordinate complex productions, manage creative and logistical challenges, and support directorial vision has made him an invaluable asset on set.

Tara Thapa, popularly known as “Kimvhey” or “Kimbhe,” is a senior Nepali film editor active since 1999 and credited in more than 100 feature films. One of the most prolific editors in the industry, he has shaped the post‑production of major commercial, social‑drama, and action films across two decades. His notable works include Satya (2024), Tulki (2023), Jiwan Kanda Ki Phool (2019), Kale Dai (2019), Dr. Khatey (2017), Refugee (2016), Sushree (2015), Loafer (2013), Kina Kina (2013), and Jaya Hos (2012). Known for his speed, precision, and narrative clarity, Thapa remains one of Nepal’s most trusted editors in mainstream cinema.