Shanti Maskey

Sita Devi Timilsina is a Nepali actress best known for her long‑running role in the hit comedy serial Bhadragol, where her catchphrase “Yo kura kasailai nabhannu ni feri” became a nationwide sensation. A versatile performer, she has appeared in multiple television serials and Nepali films, earning recognition for her natural comic timing and expressive acting. She is also the wife of renowned comedian Kedar Ghimire (Magney Budho), with whom she has collaborated in several popular comedy projects.

Kabita Gelal (Sharma) is a Nepali film actress, television artist, and versatile performer who has been contributing to the Nepali entertainment industry for more than two decades. Known for her expressive acting style and natural screen presence, she has worked across feature films, telefilms, TV serials, music videos, commercial advertisements, and numerous stage and public programs.Her career reflects a consistent dedication to portraying relatable Nepali characters—ranging from emotional family roles to socially grounded performances. Gelal’s ability to blend realism with strong dramatic timing has made her a respected and familiar face in both traditional cinema and modern digital storytelling.Beyond acting, she has also played an important role in the artistic community. She served as an Executive Member of the Nepal Film Artists Association, where she actively worked for the welfare, rights, and professional upliftment of Nepali artists. Her leadership, advocacy, and long-standing commitment to the industry highlight her influence beyond the screen.

Gautam Ratna Tuladhar is a respected Nepali visual artist and veteran film actor, widely recognized as the first color‑film villain of Nepali cinema for his memorable performance in Nepal’s first color feature film Kumari (1977). A multi‑talented figure, Tuladhar built a parallel career as a वरिष्ठ चित्रकार (senior painter) while establishing himself as a powerful screen presence across dozens of Nepali films.Emerging from Kathmandu’s artistic community, Tuladhar became known for his expressive face, controlled intensity, and ability to portray layered antagonists with dignity and emotional depth. His role in Kumari marked a turning point in Nepali film history, introducing a new visual era and giving him a lasting place in the industry’s foundational narrative.Beyond cinema, Tuladhar was deeply active in Nepal’s theatre movement. During the early BS 2040s, he performed in numerous stage productions under the Sanskriti Sansthan, contributing to a generation of socially conscious, performance‑driven Nepali theatre. His stage work strengthened his craft and shaped his reputation as a disciplined, versatile performer.Across film, theatre, and visual art, Gautam Ratna Tuladhar is remembered as a multi‑disciplinary artist whose contributions helped define the early aesthetic and emotional language of modern Nepali storytelling.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.