Tirtha Lal Shrestha

Prakash Tuladhar is a veteran Nepali video editor, ad/film editor, and senior television editor, widely respected for his long‑standing contribution to Nepal’s broadcast and visual media industry. With a career spanning major national television networks—including Image Channel, Kantipur TV, and other leading media houses—he has shaped the visual identity of countless programs, promos, advertisements, and long‑form productions.Known for his precision, narrative sense, and technical mastery, Prakash has edited a wide range of content: TV shows, commercials, documentaries, music videos, and feature‑film projects. His work is recognized for its clean pacing, strong storytelling rhythm, and ability to elevate the emotional impact of any production.Across more than two decades in the industry, he has become one of Nepal’s trusted senior editors, contributing to the growth of modern broadcast standards and mentoring younger editors entering the field.

''Bharat Regmi'' is a music Video/Film Editor, Vfx Artist & Colorist who has been based in Nepal since 2002. He is the most noted for his music video “Ma Hu Prakriti” by Nepali rock band “The Shadows”.

Simosh Sunuwar is a renowned Nepali director, producer, editor, and visual effects artist known for his contributions to the Nepali film industry. Born in Kathmandu, Nepal, he began his career as a music composer in 1992, working on numerous songs and radio jingles before transitioning into filmmaking. His directorial debut, Mission Paisa (2009), was a breakthrough success, establishing him as a talented filmmaker. He later directed First Love (2010), Mission Paisa 2: Reloaded (2015), and Jhyanakuti (2017), each showcasing his expertise in storytelling and visual effects. His latest project, Hattichhap (2024), further solidifies his reputation in the industry. Simosh has also worked extensively in television commercials and music videos, bringing innovation to Nepali media through his skills in editing and animation. His dedication to filmmaking has earned him recognition and respect, making him a key figure in Nepal’s entertainment landscape.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.