Tekendra Shah

Nirmal Kumar Lama is a dynamic Nepali dancer, choreographer, and music video director, best known as the charismatic leader of the Bhimphedi Guys—a popular creative group blending humor, dance, and cultural storytelling. Originally from Bhimphedi, Makwanpur, Nirmal has become a beloved figure in Nepal’s entertainment scene through his energetic performances and grassroots approach to content creation. As a choreographer and director, he has worked on numerous music videos, including the well-received “Manko Kura” featuring Anju Panta and Nishan Bhattarai. His direction often highlights traditional aesthetics with a modern twist, making his work both relatable and visually engaging. Through the Bhimphedi Guys platform, Nirmal and his team have produced viral comedy skits, dance videos, and cultural content that celebrate rural Nepali life with humor and heart. Their series “What’s Up Bro” has garnered a strong following on YouTube, while their TikTok presence continues to grow with short, engaging clips that showcase their creativity and camaraderie.

Sahendra Shrestha is a popular media personality. After working for Image Television for a long time, Sahendra Shrestha joined Himalaya HD Television. He has directed more than 150 music videos and television commercials. He brought a revolution in entertainment programs. He has taught many artists and many television presenters how to work.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.