Banish Shah

Lokesh Bajracharya is a senior Nepali editor, director, and post‑production leader with a career spanning more than two decades. He is best known for serving as Chief, Editing & Graphics and Production Head at AP1 TV from September 15, 2015 to December 30, 2020, where he shaped the visual identity of major national television programs, including Nepal Idol Seasons 2–3.

Bipin Malla is a prominent Nepali film editor known for shaping the modern commercial era of Nepali cinema. Active since the early 2000s, he has edited many of Nepal’s most successful mainstream films, including Raato Ghar, Chhakka Panja, and Chhakka Panja 2. His work is widely recognized for its timing, rhythm, and strong comedic‑dramatic pacing, making him one of the most respected editors in the industry.He has received major honors for his contribution to film editing, including the Dcine Award 2071, the National Film Award 2070, and the 10th National Box Office Filmfare Award (UK, 2017).In addition to editing, he has also worked as an actor and producer, with credits across more than 40 films. His editing portfolio includes major hits such as Chhakka Panja (2016), Chhakka Panja 2 (2017), Panchayat (2018), Chhakka Panja 3 (2018), Chha Maya Chhapakkai (2019), Nalapani (2022), Ganapati (2023), and Chhakka Panja 4 (2023).

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

Badri Lamichhane is a Nepali film editor known for his extensive work in feature films, post‑production, and visual effects, active in the Nepali film industry since 2006. His editing career spans more than 16 films, with credits in major commercial and social‑drama projects. He is recognized for his clean narrative pacing, technical precision, and ability to shape emotional rhythm through editing.He began his professional journey in post‑production with NFDC (Nepal Film Development Board), where he worked for nearly nine years (2000–2009), gaining deep experience in film workflows. He later served as a film editor at Kindle Cine Studio (2009–2013) and eventually expanded his career internationally, working as a Visual Editor at Bodhi HD (USA) from 2018 onward. His global experience reflects his adaptability to modern digital editing platforms and evolving cinematic styles.Badri’s filmography includes notable titles such as Kathmandu (2010), Jiwan Mrityu (2008), Giraftar (2008), Akaal (2014), Aadhi Bato (2014), Samaya (2013), Soldier (2014), and Jaun Hida Pokhara (2015). He has also contributed VFX work to films like Maanish (2006) and served as a Chartered Accountant for projects such as Ho Yehi Maya Ho (2015) and Ram Balaram (2010)—showing his multidisciplinary involvement in Nepali cinema.