Lokesh Bajracharya

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

Prakash Tuladhar is a veteran Nepali video editor, ad/film editor, and senior television editor, widely respected for his long‑standing contribution to Nepal’s broadcast and visual media industry. With a career spanning major national television networks—including Image Channel, Kantipur TV, and other leading media houses—he has shaped the visual identity of countless programs, promos, advertisements, and long‑form productions.Known for his precision, narrative sense, and technical mastery, Prakash has edited a wide range of content: TV shows, commercials, documentaries, music videos, and feature‑film projects. His work is recognized for its clean pacing, strong storytelling rhythm, and ability to elevate the emotional impact of any production.Across more than two decades in the industry, he has become one of Nepal’s trusted senior editors, contributing to the growth of modern broadcast standards and mentoring younger editors entering the field.

Yogendra Karki is a versatile Nepalese film director, actor, editor, ad/documentary maker, and assistant director, whose dynamic presence and creative expertise have made a significant impact on the Nepali film industry. His journey into cinema began with his debut in the 2019 film Kuraute, which marked the start of a steadily rising and diverse career in filmmaking. Since stepping into the industry, Karki has continually showcased his multifaceted talents, contributing across various domains of film production. However, he is particularly recognized for his role as a highly skilled and accomplished Assistant Director, having worked on more than 25 films. His ability to coordinate complex productions, manage creative and logistical challenges, and support directorial vision has made him an invaluable asset on set.

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.