Sambhu Pradhan

Sharan Pradhan (born May 3, 1943, Darjeeling) was one of the most influential lyricists and music composers in the history of Nepali modern music, emerging as a defining creative force from 2020 BS onward. By the age of 21, he was already an established name, shaping the rise of adhunik geet alongside contemporaries like Aruna Lama and Ranjeet Gajmer. A gifted multi‑instrumentalist, Pradhan mastered banjo, mandolin, and several traditional instruments from a young age — the banjo being his earliest and most beloved. His compositions are known for their emotional depth, poetic clarity, and melodic sophistication, many of which became timeless classics recorded by Nepal’s greatest voices. His lyrical works such as “Ma Aankhama Rakhine” and “Ma Aankhaima” remain widely referenced and studied today. Sharan Pradhan’s legacy endures as a cornerstone of Nepali musical identity — a creator whose artistry elevated the emotional and musical vocabulary of an entire generation.

Dinesh Gautam is a Nepali singer and musician. The song 'paisa kasale banayo ...' earned him a lot of fame. He has sung more than 300 songs in his 15-year musical journey. Dinesh, who was born in Bara Nijgadh, says that he has succeeded in his dream of becoming a singer since childhood. Apart from his Paisa, songs like Dhani manche ramayo..ma manche .. Galti Hola .. Timro yaad .. are popular. Videos of dozens of his songs can be found on YouTube.

Shraddha Prasai is a Nepali creative director and media professional, known for her work in concept development, show direction, and production coordination within Nepal’s entertainment industry. She began her professional journey at Three Production Pvt. Ltd., where she gained hands‑on experience in studio workflow, content planning, and visual storytelling.After her marriage to filmmaker and comedian Bikey Agarwal, she became actively involved in the creative development of the comedy show Comedy Durbar. Working alongside him, Prasai contributes to the show’s concept, direction, and overall creative shaping, helping refine its format, character flow, and audience‑friendly presentation.Her work reflects a growing command of modern Nepali entertainment production, blending structured planning with a collaborative, performance‑driven approach. As part of a new generation of behind‑the‑scenes creators, she continues to build her identity as a thoughtful and emerging creative force in Nepali digital and television‑style programming.