Santosh Panta

Uttam Pradhan is an Indian‑Nepali actor from Singtam, Sikkim, best known for his leading roles in Nepali cinema’s landmark films Darpan Chhaya, Pyari Bahini, Pareni Maya Jalaima, Basain, and Letter. A former model and television actor, he entered films after winning major modeling titles in the mid‑1990s and quickly became one of the most recognizable romantic and dramatic actors of the 2000s.Active since 2000, Pradhan has appeared in more than two dozen Nepali films and has been honored with multiple acting awards, including recognition from Nepal’s royal family and the Sikkim Kala Samman, the highest civilian honor of Sikkim. He also served as the Founder Chairman of the Sikkim Film Development Board, contributing significantly to cross‑border cultural exchange and the growth of Nepali‑language cinema.

Birendra Hamal is a theater artist, mentor and director. He has taught acting to hundreds of actors. Veteran actor and play director Birendra Hamal, who has been working in the theater for the past 35 years, has directed about 5 dozen plays, and has acted in hundreds of plays and a dozen films. Birendra, who became a hero in the film 'Godhuli', has already presented his acting skills in films like majadur, kaha bhetiyela, a mero hajur, shahid, sukha-dukha.

hishir Bangdel is a successful Nepali artist. Established as Actor,Musician. Shishir's acting career started in 2008 with the villain role in "Tata Bye Bye" (release date was postponed until 2015). With a special talent for portraying the bad guy, Shishir landed the role of the drug-dealing DJ Ryan in the 2013 hit movie "Karkash." In the romantic comedy "Kabaddi" (2014), Shishir played Ambir Thakuri, swindler and overall criminal. In the sequel ("Kabaddi Kabaddi" 2015), Shishir resumed the role of Ambir, who had advanced in his criminal career and was now a corrupt politician. In the mega hit "Resham Filili" (2015), Shishir portrayed yet another villain, the memorable Dorjee Don.

Pradip Shrestha is a Nepali film director known for his work in mainstream commercial and emotional, family‑oriented cinema. Over his career, he has directed a series of feature films that blend romance, social drama, suspense, and sentiment, building a solid reputation as a storyteller who understands the pulse of the Nepali audience.His directorial credits include films such as Dui Pal, Ajambari Nata, Dar, Jiban Rekha, Bhagawan Sabaiko, Sapana, Kabaj, Mero Man Ko Sathi, Black (and others), where he has worked with a range of established and rising actors. These films reflect his interest in emotional relationships, moral dilemmas, and socially rooted narratives presented in an accessible, entertaining style.