Prakash Tuladhar

Prabin Shrestha is a talented Nepali music video director, video-film editor, and animator. He has made significant contributions to the Nepali audio-video industry and is known for his work with Mokshya Production. Prabin has directed and edited hundreds of music videos, TV commercials, documentaries, and public service announcements. He is also the founder of SAKSHYAM FOUNDATION, which works for people with physical disabilities. Career Highlights Music Videos: Directed and edited numerous music videos, including the critically acclaimed movie "Mokshya". Awards: Won multiple Tuborg Image Awards for best music video editor and director. Social Contributions: Founder of SAKSHYAM FOUNDATION, dedicated to empowering people with physical disabilities. Notable Works "Mayalu": A romantic music video featuring Prabin Shrestha and Prameela Karki. "Sikka": An inclusive music video with audio descriptions and closed captions for accessibility MOKSHYA Movie- "Mokshya" is a critically acclaimed Nepali film directed by Prabin Shrestha. this is own biopic movie of Director Prabin Shrestha. The movie explores the journey of a rock band and the struggles they face in their pursuit of musical success. It delves into themes of passion, friendship, and the harsh realities of the music industry.

(Film Editor • Colorist • Post‑Production Artist • Nepali Films & Music Videos) Suprim Parajuli is a Nepali film editor and colorist active in the industry since 2015, known for his growing body of work across feature films, short films, and high‑view Nepali music videos. He has contributed to more than 10 feature films as an assistant/primary editor and has built a strong reputation in the color department, especially through his work on critically rated films such as Pujar Sarki (2024) and Purna Bahadur Ko Sarangi (2024). Parajuli is also the editor of the upcoming feature film Kumari (2026) and has edited several popular music videos, including Salala Salala (2022) and Telephoneko Tower (2019). His post‑production style is defined by clean pacing, emotional rhythm, and polished color aesthetics that enhance narrative tone.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

Banish Shah is a senior Nepali film editor active since 1995, recognized for shaping modern commercial and dramatic editing in Nepali cinema. Over a career spanning nearly three decades, he has edited more than 200 films, becoming one of the most prolific editors in the industry. His work ranges from blockbuster franchises to acclaimed dramas, earning honors including the Dcine Award (2079) for Best Editor.