Subodh Shreedhar

Sohan Manandhar is a Nepali post‑production specialist known for his extensive work across major Nepali television reality shows. He began his career at Image Channel HD, building a foundation in broadcast editing before moving into high‑visibility national franchises. He served as Visual Editor for The Voice of Nepal and The Voice of Nepal Kids, shaping the visual rhythm and emotional pacing of the shows. At AP1 TV, he worked as Post‑Production Head & Chief Video Editor, and later led the Post‑Production and Editing Department for Nepal Idol Season 1, contributing to the show’s signature visual identity.

Lawa Pyakurel, renowned in the Nepalese film industry under his birth name Bala Ram Pyakurel, stands as a luminary with an illustrious career spanning over 25 years. As a creative force and visionary documentary filmmaker and editor, his journey exemplifies a steadfast commitment to excellence, where each project is executed with precision, innovation, and unparalleled quality. His reputation as the go-to professional extends far and wide, earning trust from independent film companies, national and international agencies, development partners, and public-private partnerships alike. This trust is a testament to his exceptional multitasking abilities and his innate talent for leading projects to successful delivery, demonstrating expertise that transcends boundaries. Within Lawa Pyakurel's expansive portfolio, one finds a mosaic of achievements, each contributing to the rich tapestry of the Nepalese film landscape. His post-production mastery spans over a hundred documentary films, TV reports, talk shows, programs, PSAs, short films, and video advertisements. In each endeavor, his unique perspective and pioneering approach are palpable, leaving an indelible mark on the industry. Lawa Pyakurel's creative vision is not bound by convention; rather, it serves as a beacon for fresh thinking, styles, and technologies. Through his work, he ushers in a new era of storytelling, where narratives are imbued with authenticity and depth, resonating with audiences on a profound level. What sets Lawa Pyakurel apart is not only his technical prowess but also his ability to infuse every project with a sense of purpose and meaning. Each frame meticulously crafted, each edit purposefully chosen, his work reflects a deep understanding of the power of cinema to inspire, educate, and provoke change. Beyond his professional achievements, Lawa Pyakurel's impact extends to mentoring the next generation of filmmakers, nurturing talent, and fostering a culture of collaboration and innovation. His legacy is not just in the films he creates but in the lives he touches and the futures he helps shape. In a rapidly evolving industry, Lawa Pyakurel remains a guiding light, navigating the complex terrain with grace, resilience, and an unwavering commitment to excellence. His journey is a testament to the transformative power of storytelling and the enduring legacy of those who dare to dream and dare to create.

Bipin Malla is a prominent Nepali film editor known for shaping the modern commercial era of Nepali cinema. Active since the early 2000s, he has edited many of Nepal’s most successful mainstream films, including Raato Ghar, Chhakka Panja, and Chhakka Panja 2. His work is widely recognized for its timing, rhythm, and strong comedic‑dramatic pacing, making him one of the most respected editors in the industry.He has received major honors for his contribution to film editing, including the Dcine Award 2071, the National Film Award 2070, and the 10th National Box Office Filmfare Award (UK, 2017).In addition to editing, he has also worked as an actor and producer, with credits across more than 40 films. His editing portfolio includes major hits such as Chhakka Panja (2016), Chhakka Panja 2 (2017), Panchayat (2018), Chhakka Panja 3 (2018), Chha Maya Chhapakkai (2019), Nalapani (2022), Ganapati (2023), and Chhakka Panja 4 (2023).