Tara Thapa Kimvhey

Starting from the foundational years of modern Nepali cinema, Narendra Khadka has built a distinguished career as one of Nepal’s most prolific and respected film editors. Active since 1989, he has edited more than 36 feature films, shaping the narrative rhythm and visual language of Nepali commercial and social‑themed cinema. His editorial work spans classics such as Rajamati (1995), Seemana (1996), Zameen (1998), Basanti (2000), and Prem Yuddha (2005), establishing him as a key technical figure in the industry.Beyond editing, Khadka has contributed as a story writer and chief assistant director, demonstrating a deep understanding of cinematic structure and storytelling. His long service to Nepali cinema was formally honored when he received a Lifetime Achievement Award at the 7th LG Cine Circle Awards, recognizing his decades of dedication and his role as the founding principal of the College of Film Studies.With a career spanning over three decades, Narendra Khadka remains a senior figure whose disciplined craft, technical precision, and editorial leadership continue to influence new generations of Nepali filmmakers.

Banish Shah is a senior Nepali film editor active since 1995, recognized for shaping modern commercial and dramatic editing in Nepali cinema. Over a career spanning nearly three decades, he has edited more than 200 films, becoming one of the most prolific editors in the industry. His work ranges from blockbuster franchises to acclaimed dramas, earning honors including the Dcine Award (2079) for Best Editor.

Sohan Manandhar is a Nepali post‑production specialist known for his extensive work across major Nepali television reality shows. He began his career at Image Channel HD, building a foundation in broadcast editing before moving into high‑visibility national franchises. He served as Visual Editor for The Voice of Nepal and The Voice of Nepal Kids, shaping the visual rhythm and emotional pacing of the shows. At AP1 TV, he worked as Post‑Production Head & Chief Video Editor, and later led the Post‑Production and Editing Department for Nepal Idol Season 1, contributing to the show’s signature visual identity.

(Film Editor • Colorist • Post‑Production Artist • Nepali Films & Music Videos) Suprim Parajuli is a Nepali film editor and colorist active in the industry since 2015, known for his growing body of work across feature films, short films, and high‑view Nepali music videos. He has contributed to more than 10 feature films as an assistant/primary editor and has built a strong reputation in the color department, especially through his work on critically rated films such as Pujar Sarki (2024) and Purna Bahadur Ko Sarangi (2024). Parajuli is also the editor of the upcoming feature film Kumari (2026) and has edited several popular music videos, including Salala Salala (2022) and Telephoneko Tower (2019). His post‑production style is defined by clean pacing, emotional rhythm, and polished color aesthetics that enhance narrative tone.