Sohan Manandhar

Sambhu Pradhan is a respected Nepali film director, editor, and actor whose work helped define the commercial era of Nepali cinema in the 1980s and 1990s. Emerging as a versatile creative figure, he built his career through disciplined craft in editing and gradually transitioned into directing films known for emotional storytelling, strong musical structure, and audience‑centered narratives. His directorial contributions include memorable Nepali classics such as Samjhana, Behuli, Sapana, Bishwas, and Santaan, works that established him as one of the influential filmmakers of his generation. Active across multiple disciplines—direction, editing, and acting—Pradhan’s career reflects a multi‑layered creative presence that shaped the visual and narrative style of mainstream Nepali cinema during its formative decades.

Kumar Shah is a Nepali film and music‑video director, editor, and VFX artist known for his technical versatility and behind‑the‑scenes contribution to Nepal’s modern visual production scene. Active across direction, post‑production, and visual effects, he has worked on multiple music videos and independent film projects, building a reputation for clean editing style and strong visual storytelling.In 2014, he officially announced his action feature film “Kartik”, a project that generated industry attention for its ambitious action‑drama concept. The film was partially shot but remained unfinished due to production challenges, leaving it as one of Nepal’s notable incomplete film projects of the decade.Despite the halted project, Kumar Shah continues to be recognized for his multi‑disciplinary skill set in direction, editing, and VFX, contributing to various Nepali visual productions and maintaining a respected presence in the technical side of the industry.

Simosh Sunuwar is a renowned Nepali director, producer, editor, and visual effects artist known for his contributions to the Nepali film industry. Born in Kathmandu, Nepal, he began his career as a music composer in 1992, working on numerous songs and radio jingles before transitioning into filmmaking. His directorial debut, Mission Paisa (2009), was a breakthrough success, establishing him as a talented filmmaker. He later directed First Love (2010), Mission Paisa 2: Reloaded (2015), and Jhyanakuti (2017), each showcasing his expertise in storytelling and visual effects. His latest project, Hattichhap (2024), further solidifies his reputation in the industry. Simosh has also worked extensively in television commercials and music videos, bringing innovation to Nepali media through his skills in editing and animation. His dedication to filmmaking has earned him recognition and respect, making him a key figure in Nepal’s entertainment landscape.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.