Shan Basnyat

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.

Yam Thapa is a Nepali film writer and director known for his work across story, screenplay, dialogue, and direction in modern Nepali cinema. Active since 2014, he has contributed to several notable films, including Kohinoor (screenplay, dialogue), K Ma Timro Haina Ra (screenplay), and the acclaimed Blind Rocks (story). His breakthrough as a director came with Hurray (2018) and Rajja Rani (2018), followed by the emotional drama Meri Mamu, where he served as both writer and director.Thapa’s recent works include writing and directing the upcoming film Lalibazar (2026), and contributing story, screenplay, and dialogue to titles such as Paraan (2025) and Anjila (2025). His storytelling blends social realism with emotional depth, making him one of the consistently active multi‑disciplinary creators shaping contemporary Nepali cinema.

Nutan Pradhan is a versatile Nepali film writer, screenwriter, story writer, actress, lyricist, producer, and playback singer active since the late 1980s. She has contributed to some of Nepali cinema’s most memorable films, including Behuli, Sworga, Saraswati, Sorah Barshe Jowan, Nepal Pyaro Chha, and Rang Baijani. Known for her emotional storytelling and strong character-driven narratives, she has written dialogue, screenplay, and lyrics across multiple genres. Nutan also acted in Saraswati alongside Shiva Shrestha and Gauri Malla, and performed playback vocals in Sworga. Her multi‑disciplinary work has made her one of the most influential women creatives of her era.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.