Nutan Pradhan

Sebita Adhikari is a rising Nepali actress known for her work in both theatre and film, especially through the Katha Ghera collective. She’s part of a new wave of performers blending socially conscious storytelling with artistic experimentation. Here’s a closer look at her contributions: 🎭 Theatre & Short Film Work Katha Ghera Collective: Sebita has been deeply involved with this Kathmandu-based theatre group known for bold, socially engaged productions. She appeared in A Good Apology (2021), a Nepali short film produced by Katha Ghera, where she also served as Assistant Director. The film explores themes of accountability and emotional healing, and Sebita’s dual role reflects her versatility in both performance and production. Playback Theatre: She’s connected to the Wednesday Playback Theatre Circle, which uses improvisational storytelling to reflect community experiences. This aligns with your interest in participatory archives and diaspora engagement. 🎬 Film Credits The Shameless (2024) – Played the role of Aditi in this feature film. Rotten Blood (2023) – Appeared in this short film, showcasing her range in darker, dramatic narratives. Chhuk Chhuk Chhuk Chhuk (2023) – Featured in this music video as a youth enthusiast.    

Gautam Ratna Tuladhar is a respected Nepali visual artist and veteran film actor, widely recognized as the first color‑film villain of Nepali cinema for his memorable performance in Nepal’s first color feature film Kumari (1977). A multi‑talented figure, Tuladhar built a parallel career as a वरिष्ठ चित्रकार (senior painter) while establishing himself as a powerful screen presence across dozens of Nepali films.Emerging from Kathmandu’s artistic community, Tuladhar became known for his expressive face, controlled intensity, and ability to portray layered antagonists with dignity and emotional depth. His role in Kumari marked a turning point in Nepali film history, introducing a new visual era and giving him a lasting place in the industry’s foundational narrative.Beyond cinema, Tuladhar was deeply active in Nepal’s theatre movement. During the early BS 2040s, he performed in numerous stage productions under the Sanskriti Sansthan, contributing to a generation of socially conscious, performance‑driven Nepali theatre. His stage work strengthened his craft and shaped his reputation as a disciplined, versatile performer.Across film, theatre, and visual art, Gautam Ratna Tuladhar is remembered as a multi‑disciplinary artist whose contributions helped define the early aesthetic and emotional language of modern Nepali storytelling.

Harisha Baniya is a Nepali model, dancer, and film artist active since around 2010, known for her expressive performances in music videos, stage shows, and television. She rose to wide recognition through the popular comedy serial Meri Bassai, where her portrayal of the Terai‑origin character “Bhuniya” became highly appreciated by audiences. Alongside television, she has acted in nearly three dozen telefilms and several Nepali films, expanding her presence across visual media.Harisha also worked in Bhojpuri cinema as a leading actress, further showcasing her versatility across regional industries. In 2065 BS, she earned the title of Purwanchal Top in Bhojpuri dance, highlighting her strong foundation in performance and movement. After marrying in 2075 BS, she gradually stepped away from the entertainment field and is currently not active in acting or modeling.

Kiran Nepali is a Nepali film artist, actor, and producer known for his expanding contributions to contemporary Nepali cinema. Originally from Nuwakot, he has spent over a decade working across multiple roles in the industry, building a reputation for bringing fresh perspectives and grounded storytelling to mainstream and commercial films.He has been involved in several notable Nepali films, including Doli, Love Day, Poi Paryo Kale, and Dui Nambari, with the latter two achieving strong commercial success. His work reflects a blend of creative ambition and industry experience, contributing both in front of and behind the camera.Kiran is currently engaged in the post‑production of his film Hattichaap and is preparing new projects such as Dui Numbari 2 and Soli Doli, the latter of which he is directing marking his transition from producer to filmmaker.Beyond cinema, he is also active in entrepreneurial and cultural sectors and holds leadership roles in Nepali social organizations, reflecting his broader engagement with community and cultural development.