Samten Bhutia

Rishi Lamichhane (born July 7, Nepal) is a Nepali film and television director, writer, and producer active since 2001. Known for his commercial storytelling and family‑drama sensibility, he debuted with Kahin Milan Kahin Bichhod and went on to direct several popular mainstream films and serials. His notable works include Aafno Manche Aafnai Huncha, Hawaldar Suntali, Shreeman Shreemati, and Kismat 2, establishing him as a consistent contributor to modern Nepali entertainment.    

Yadav Kharel (born 23 February 1943 in Kavrepalanchowk) is a veteran Nepali film director, writer, lyricist, and producer, widely regarded as one of the most influential creative figures in Nepali cinema. He was among the first Nepali filmmakers to earn a formal diploma in Film Direction and Production from the London Film School in 1971, establishing a new professional standard in the industry . Kharel began his career at Radio Nepal before transitioning into filmmaking, where he became known for directing genre‑defining works, including Nepal’s first major comedy‑satire, historical drama, historical biopic, and mythological film . He also served as the founding chairperson of the Film Development Board (2000–2002), shaping national film policy and institutional growth .    

Dev Kumar Shrestha is a Nepali film director, producer, and choreographer active since the mid‑1990s, known for directing a diverse range of Nepali feature films including Godhuli, Ekata, Badmas, Luv Sab, Lalteen, Happy New Year, Nepte, The Karma, and Bakamfushe Maya. Beginning his career as a chief assistant director in the 1990s, he transitioned into full directorial work with Godhuli (2003) and steadily built a portfolio that spans commercial entertainers, social dramas, and modern romantic films. His multi‑role involvement—direction, story, screenplay, choreography, and production—positions him as one of the versatile contributors to contemporary Nepali cinema.

Krisha Chaulagain is a Nepali film producer, writer, and director who has been active since Friday, 23 April 2004. Over two decades, she has built a steady presence in Nepali cinema, shaping projects that blend commercial appeal with socially grounded storytelling. Known for her disciplined production style and narrative clarity, she has contributed to films, television work, and independent projects that highlight contemporary Nepali experiences. Her career reflects a commitment to developing strong characters, nurturing new talent, and elevating women’s leadership behind the camera. Chaulagain continues to expand her creative footprint across writing, production, and direction.