Rishi Lamichhane

Suraj Pandey is a Nepali film director and actor born on 7 July 1997 in Kathmandu, recognized for his directorial work in Parastree (2023) and his involvement in notable Nepali films such as Aama (2020) and Love Love Love (2017). His growing body of work positions him among Nepal’s new‑generation filmmakers contributing to contemporary cinema.

Ramesh Koirala is a Nepali film director recognized for his grounded approach to storytelling and his focus on emotional realism. Active in Nepal’s evolving film landscape, he has contributed to projects that highlight social themes, personal journeys, and relatable Nepali experiences. Koirala’s direction emphasizes clarity, performance‑driven scenes, and strong narrative structure, establishing him as a thoughtful voice in modern Nepali filmmaking.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Laxman Sunar is a Nepali film director, scriptwriter, and editor known for his grounded visual style and commitment to character‑centered storytelling. Active across feature films, short films, and narrative projects, he brings a disciplined approach to structure, performance, and emotional realism. As the Founder of Kasturi Production Pvt. Ltd., Sunar has developed a creative space focused on socially rooted stories and technically polished filmmaking. His work reflects a blend of rural authenticity, psychological depth, and clean visual framing, positioning him among the thoughtful voices shaping contemporary Nepali cinema.