Shyam Chhetri

Harshika Shrestha is a Nepali actress, legal advisor, and co-producer known for her versatile roles in action and romantic films. She debuted opposite Prashant Tamang in Angalo Yo Maya Ko and gained popularity through films like Lootera, Mukhauta, Nagbeli, Zanjeer, and Mission Paisa 2 – Reloaded. She has acted in over 14 films and served as legal advisor for Sadanga and Kina Kina, and co-produced Mission Nepal. Harshika began her career as a model and editor before transitioning to acting. Her dynamic presence and legal background make her a unique figure in Nepali cinema.

Ramchandra Adhikari (रामचन्द्र अधिकारी) is one of Nepal’s most prolific and beloved film and television artists, celebrated for his comedic timing, grounded character portrayals, and decades-long contribution to Nepali entertainment. Born in Gothatar, Kathmandu, he rose from a difficult childhood—working as a home assistant and later traveling through Hetauda, Benaras, and Sarlahi—to eventually return to Kathmandu, where his artistic journey began.His entry into acting started around 2035 BS (1978–79) with the theatre play Sachha Prem by Bhairav Aryal, whose success opened doors to wider collaborations. While working night shifts at Nepal Telecom, he spent his days performing, steadily becoming a household name.Adhikari is best known for his iconic comedic persona “Kaji Ba / Gopte Kaji”, and for his long-running role in Nepal’s most enduring sitcom Meri Bassai, where his performance became a cultural fixture. His career spans 400+ films, numerous telefilms, and television series, making him one of the most recorded actors in Nepali cinema history.His contribution was formally recognized when he became the first Nepali artist to receive life insurance from the Film Development Board—an unprecedented honor reflecting his impact on the industry.

Sangam Bhandari (born 1971) is a Nepali film actor active since 1991, recognized for his steady contribution to Nepali cinema. He began his career with Pariwar (1991) and Sampati (1991), later appearing in Chatyang (1994), Jay Baba Pashupati Nath (1995), and Surakshya (1999). His performance in Muna Madan (2003) strengthened his presence in literary‑adapted films, and he continued his work with Jhingedau (2022), marking over three decades of involvement in the industry.

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.