Bhawana Magar

Mukunda Kishor Bhattarai is a veteran Nepali film artist known for his multi‑disciplinary contributions as an actor, writer, screenplay/dialogue creator, and story writer, active since 1989. His work spans some of the most influential films of the 1990s, especially Bhariya, Anartha, and Daju Bhai.   As Actor Tilahari (1989) Kanyadan (1990) Pariwar (1991) Deuki (1993) Daju Bhai (1995) Anartha (1996) Bhariya (1996) Pachheuri (1997) Gham Chaya (1998) Timi Nai Baseu Mero Manma (2000) Ko Hola Mero Mayalu (2008) Mero Manko Sathi (2013) Timro Kasam (2013) Euta Mancheko Maya (2014)

Manju Shrestha is a Nepali film and television artist best known for her memorable comic role as “Bijuli” in the hit Nepali comedy serial Tito Satya. Through this character, she became a familiar face in Nepali households, bringing sharp humor, expressive acting, and strong timing to one of the country’s most popular long‑running TV shows.Beyond television, Shrestha has also appeared in Nepali films, contributing supporting and character roles that highlight her versatility in both comedy and drama.

Shekhar Chapagain is a Nepali film artist recognized for his naturalistic acting style and his steady presence across contemporary Nepali cinema. He first gained attention through his supporting roles in critically noted films such as Soongava: Dance of the Orchids (2012), where he appeared as an inspector, and Maun (2013), portraying Barsha’s father.His recent work includes a featured role in Degree Maila M.A 3rd Class (2024), directed by Ram Babu Gurung, further establishing him among the reliable character actors of his generation. Chapagain has also appeared in short films like Late Night (2023) and the social short Pralobhan, expanding his range across digital and independent storytelling.

Sarita Bhandari is a Nepali film and telefilm artist recognized for her natural acting style and her ability to portray relatable, emotionally grounded characters. Active across telefilms, TV serials, and feature films, she has built a reputation for delivering sincere, character‑focused performances that support narrative depth. Bhandari’s work reflects the everyday experiences of Nepali life, making her a dependable presence in both mainstream and independent productions. With a growing body of screen work, she continues to contribute to the evolving landscape of Nepali cinema and television.