Randhir Shrestha

Dayaram Dahal (born 27 May 1970, Kavrepalanchok) is a veteran Nepali filmmaker active since the late 1980s, known for his multi‑disciplinary contributions as a director, actor, producer, writer, lyricist, and music director. He began his career in 1987–1990 as an assistant director before rising to prominence in the 1990s, becoming one of Nepal’s highest‑paid directors of the era. His film Nepal (2007) became the first Nepali feature film partly shot in the United States, marking a milestone in the industry. Dahal has directed, acted in, or contributed musically to over 60 films, including major hits such as Thuldai, Ta Ta Sarai Bigris Ni Badri, Ma Timi Bina Marihalchhu, Farkera Herda, and Dasgaja. He served as the Executive Chairperson of the Film Development Board of Nepal from June 4, 2020 to June 3, 2022, where he focused on policy reform, artist welfare, and institutional strengthening. He is also a founding member of the Film Directors Guild of Nepal and a long‑time contributor to multiple film associations.

(Film Director • Writer • Story Developer • New‑Generation Commercial Filmmaker) Deewakar Bhattarai (born November 17, 1984) is a Nepali film director and writer known for shaping modern commercial Nepali cinema with visually polished, emotionally driven storytelling. Born in Sittalpati, Sindhuli, he entered the industry in the late 2000s and rose to prominence with films that blend romance, drama, and youth‑centric narratives. His works—Dreams (2016), Aishwarya (2017), and Captain (2019)—established him as one of the most bankable directors of his generation. Bhattarai is also recognized for his upcoming high‑profile projects Narasimha Avatar (2025) and Mayavi (2025), which position him among the leading commercial filmmakers in Nepal. He is married to actress Deepika Prasain, and the pair frequently collaborate on creative projects.

Pradip Shrestha is a Nepali film director known for his work in mainstream commercial and emotional, family‑oriented cinema. Over his career, he has directed a series of feature films that blend romance, social drama, suspense, and sentiment, building a solid reputation as a storyteller who understands the pulse of the Nepali audience.His directorial credits include films such as Dui Pal, Ajambari Nata, Dar, Jiban Rekha, Bhagawan Sabaiko, Sapana, Kabaj, Mero Man Ko Sathi, Black (and others), where he has worked with a range of established and rising actors. These films reflect his interest in emotional relationships, moral dilemmas, and socially rooted narratives presented in an accessible, entertaining style.