Deewakar Bhattarai

Shyam Chhetri is a Nepali director and writer currently based in Reynoldsburg, Ohio, recognized for his storytelling focused on diaspora life and emotional realism. Born on February 6, he has emerged as a new creative voice with his 2026 film Prawasi Jiwan, a project that reflects the struggles, hopes, and cultural identity of Nepali immigrants abroad. Chhetri continues to develop films that highlight community narratives and the lived experiences of the global Nepali diaspora.

Yogesh Ghimire is a Nepali film director and writer who began his directorial career in the 2000s after working extensively as a chief assistant director on films such as Pirati Afai Hudo Raicha, Timrai Lagi, Kranti, Kanchi Nani, and Maidaan. Transitioning to direction with titles like Sapoot, Samjhana, Timi Matra Timi, Samjhana, Mero Maya Timilai, and Na Birse Timilai Na Paye Timilai, he later gained wider recognition through Notebook, Bhool Bhulaiyaa, Prem Diwas, and Radha, noted for emotional storytelling and mainstream appeal.

Laxminath Sharma is a pioneering figure in Nepali cinema, known for his multifaceted contributions as a film director, screenwriter, lyricist, production designer, and legal advisor. Born on September 24, 1945 in Barbote, Ilam, he began his career in the early 1970s with the Royal Nepal Film Corporation and later became a leading force in shaping narrative-driven Nepali films Education: MA in History, Tribhuvan University Diploma in Cinema (Direction), FTII Pune (1977) Film/TV/Animation training, AIBD Malaysia (1982) Notable Roles: Director of acclaimed films like Badlindo Aakash (1983), Shanti Deep (1989), Milan (1993), Sarangi (1994), Bidrohi (2002) Screenwriter and lyricist for Bhai Tika, Apaharan (Ekadeshma), Angalo Angaloma Legal advisor for Timro Kasam (2013) Board member at Oscar International College of Film Studies since 2003

Sambhu Pradhan is a respected Nepali film director, editor, and actor whose work helped define the commercial era of Nepali cinema in the 1980s and 1990s. Emerging as a versatile creative figure, he built his career through disciplined craft in editing and gradually transitioned into directing films known for emotional storytelling, strong musical structure, and audience‑centered narratives. His directorial contributions include memorable Nepali classics such as Samjhana, Behuli, Sapana, Bishwas, and Santaan, works that established him as one of the influential filmmakers of his generation. Active across multiple disciplines—direction, editing, and acting—Pradhan’s career reflects a multi‑layered creative presence that shaped the visual and narrative style of mainstream Nepali cinema during its formative decades.