Dhiraj Jung Shah

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Hari Humagain is a renowned Nepali cinematographer and director. He has made a significant impact in the Nepali film industry with his exceptional skills and dedication. Hari started his career in the film industry with humble beginnings, working as a kitchen help before gradually making his way up to become one of the busiest cinematographers in Kathmandu. Hari Humagain has worked on various projects, including music videos, movies, and TV shows. Some of his notable works include the musical love story "Euta Sapana Chha" and his appearance on the popular Nepali satirical comedy show "What The Flop"

Starting from his early career in the late 1980s, Deepak Dhakal emerged as a dedicated Nepali cinematographer known for his steady contribution to commercial and social‑themed Nepali cinema. He made his debut as a cinematographer with Sindoor and went on to work in more than 20 feature films, shaping the visual tone of 1990s and early‑2000s Nepali filmmaking.Dhakal’s filmography includes notable titles such as Shanti Deep (1989), Cheli Beti (1990), Pheri Bhetaula (1990), Didi (1992), Chokho Maya (1993), Chatyang (1994), Chahana (1994), Sarangi (1994), and Pahilo Prem (1997). His work is remembered for its grounded visual style, clarity in storytelling, and commitment to traditional Nepali cinematographic techniques.Beyond filmmaking, Dhakal served as a professor at Oscar International College, Nepal’s only dedicated film‑teaching institute, and was an active member of NEFTA, contributing to the professional development of the industry. He passed away on 3 December 2015 due to a brain hemorrhage, leaving behind a respected legacy in Nepali cinema.

Pantu Naga is a Nepali cinematographer from 1980 to 1990 known for his basic visual style, natural lighting, and clear narrative framing. Active in feature films and regional productions, he brings emotional depth and visual discipline to his work.