Dhiraj Jung Shah

Rameshwor Karki is a Nepali cinematographer known for his work in feature films, music videos, and commercial visual production. Active across the 2010s and 2020s, he is recognized for his clean framing, natural‑light composition, and steady camera movement suited to emotional and realistic storytelling. His work spans romantic dramas, social narratives, and youth‑centric films, contributing to the evolving visual language of contemporary Nepali cinema.

Pramod Karki is a Kathmandu‑based director of photography, cinematographer, and filmmaker known for his work on Nepali reality shows, television, music videos, commercials, and feature films. He has served as DOP for Ko Banchha Crorepati (KBC Nepal), Himalaya Roadies (Seasons 1–3), Ainaa, and The Poet Idol, and as cinematographer on films including Mala and Tara: The Lost Star, the latter screened at the Cannes International Film Festival market.

Gyanendra Sharma Humagain is a Nepali cinematographer and director of photography known for his work in the Nepali film and music video industry. He has been involved in various projects, showcasing his talent behind the camera. Some of his notable works include the cinematography for the music video "Sochma" by Sanjib Parajuli featuring The Cartoonz Crew. Gyanendra is also active on social media platforms like YouTube and Facebook, where he shares his work and engages with his audience.

Mahesh Paudel is a Nepali cinematographer and Director of Photography known for his versatile visual style and his contributions to both Nepali and Indian film industries. His career began with a passion for visual storytelling, and his early works such as Nirankush (2013) and Manjari (2013) showcased his ability to create emotionally resonant imagery through light, composition, and grounded realism.Over the years, Paudel has collaborated with leading Nepali filmmakers and steadily built a reputation as one of the industry’s most reliable and visually expressive cinematographers. His acclaimed work in Ranveer (2019) earned praise for elevating the film’s emotional and cinematic impact through refined visual aesthetics.He continues to expand his portfolio with major projects including Rann (2022), Prema (2023), Chitra (2024), and the upcoming Balidan (2025), where he took over as the lead cinematographer for the final schedule.Mahesh Paudel has also worked extensively in India, serving as Director of Photography for multiple Mumbai‑based production houses between 2005–2018, further strengthening his technical range and industry experience.Known for his disciplined craft, adaptability across genres, and strong command of camera language, Paudel remains one of the prominent cinematographers shaping the visual identity of contemporary Nepali cinema.