Avesh Bajracharya

Shiva Ram Shrestha is a highly skilled cinematographer and Director of Photography (DOP) from Nepal. He has worked extensively in the Nepali film industry and has been involved in numerous Reality Shows & projects. Notable Work Awards and Recognitions: Shiva Ram Shrestha has received acclaim for his cinematography, which contributed to the visual storytelling of many successful films. Television: He has worked with AP1 Television and Kantipur TV, contributing to various TV shows and programs. Films: Shiva Ram Shrestha has been the cinematographer for several Nepali films, including: Love Sasha (2017) Boksi Ko Ghar (2024) Degree Maila M.A 3rd Class (2024) Antaral (2013) Band Champion Nepal (2022) Crime Files (2021) Idea Studio Season 5 (2021) AP Bahas Physical to Digital Nepal (2021) AP Bahas: Banking and National Economy (2020) Shiva Ram Shrestha has been a significant figure in the Nepali film industry, known for his expertise in capturing stunning visuals and enhancing the storytelling of the films he works on. His contributions have been recognized both locally and internationally, making him a respected name in the field of cinematography.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Javed Shah is one of the foundational cinematographers of Nepali cinema’s classic era (1989–2004), known for shaping the visual language of action‑drama films through his signature gritty lighting, bold framing, and dynamic camera movement. His work spans more than 15 major feature films, making him one of the most respected technicians of his generation.

Sanjay Lama (Sanjay Lopchan Tamang) is the well known cinematographer in Nepali Film. Lama was born on 27 August 1977 in Lalitpur Nepal. Lama is the best cinematographer of Nepali film. He has been the recipient of 15 best cinematographer Awards Including three National Film Awards, two NFDC National Film Awards, NEFTA Film Awards, Kamana Film Awards, Inas Film Awards, Global Nepali Film Awards, Box Office Film Awards, FAAN Awards and LG Film Awards. After working on various technical roles for a long time, Lama has debuted as a cinematographer in the movie Kasle Choryo Mero Man in 2000. Since then, he has been successful in various movies like Bato Muniko Phool, Sayaad, A Mero Hajur 3, Moun, Dreams, Summer Love, Masan etc.