Bidur Pandey

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Narendra Mainali is a celebrated Nepali cinematographer known for his evocative visual storytelling and contributions to both mainstream and independent cinema. With a background in computer engineering, he transitioned into filmmaking through a deep passion for photography and motion pictures. Education & Training Mainali holds a Bachelor's degree in Motion Picture Photography from Oscar College of Film Studies, Tribhuvan University. He further honed his craft through international programs, including: Asian Film Academy (Busan International Film Festival, 2012) Berlinale Talents (Berlin Film Festival, 2013) VIEWFINDER: Masters in Cinematography (Erasmus+ program in Ireland, Hungary, and Estonia) He also studied at the Danish School of Media and Journalism and received mentorship from cinematic legends like Wong Kar Wai and Matthew Libatique (cinematographer of Black Swan). Career Highlights Mainali’s debut short film Bansulli (The Flute) was selected for the Venice International Film Festival, while The Contagious Apparitions of Dambarey Dendrite premiered at the Abu Dhabi Film Festival. His work spans over 18 films, including shorts and features, many of which have screened at prestigious festivals in Venice, Busan, Locarno, and Palm Springs.

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Nabaraj Uprety is a Nepali cinematographer known for his clean visual style and emotionally grounded camera work across feature films, world‑cinema collaborations, music videos, and TV commercials. Active in Nepal’s modern visual industry, he brings a blend of technical precision and artistic sensitivity, shaping stories through natural light, disciplined framing, and strong visual rhythm. Uprety represents a new generation of DOPs expanding Nepali cinematography into global, commercial, and digital spaces.