Amrit Sunuwar

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Roshan K Shrestha is a professional cinematographer from Nepal. He spent many years as a main cameraman in television. He is also known for dozens of successful music videos and commercials. Experienced cinematographer with a demonstrated history working in the media production industry. Final Cut Pro specializes in video, camera, film, and documentaries. A strong media and communication professional who graduated from Balkumari.

Raju Khatri Chhetri is a Nepali cinematographer known for his natural‑light visual style and versatile work across feature films, music videos, and commercial productions. Active in the evolving wave of Nepali filmmaking, he has contributed to projects such as Senti Virus and Bir Bikram 2, along with numerous independent films and mainstream music videos. His cinematography emphasizes clean framing, expressive close‑ups, and grounded outdoor visuals, making him a reliable collaborator for directors across genres. Beyond films, he works extensively in brand promos, event coverage, and digital advertising, establishing himself as a consistent and adaptable DOP in the industry.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.