Krishna Bdr. Thapa

Deepak Bajracharya is a Nepali cinematographer whose career spans more than two decades, recognized for shaping the visual language of modern Nepali cinema through his work on critically acclaimed films such as Jhola, Woda Number 6, Bhor, Lamphoo, Paani Photo, and Mahapurush. Active since the early 2000s, he has contributed to over 25 films, consistently delivering grounded, character‑driven cinematography marked by natural lighting, cultural texture, and strong narrative alignment. His filmography includes major commercial releases as well as award‑winning social dramas, establishing him as one of Nepal’s most reliable and respected cinematographers.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Nisal Poudel is a Nepali cinematographer and Director of Photography active since 2023, known for his visual work in the feature films Kausid (2023) and Kalli. A graduate of Oscar International College (8th Batch), he represents the new generation of Nepali DOPs trained in modern film theory, visual language, and narrative‑driven cinematography.His work emphasizes naturalistic lighting, grounded realism, and character‑focused framing, bringing emotional depth to rural and contemporary Nepali stories. With a growing portfolio and collaborations on emerging Nepali films, Poudel is steadily establishing himself as one of the promising young cinematographers shaping Nepal’s evolving visual style.