Arjun Tiwari

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Pantu Naga is a Nepali cinematographer from 1980 to 1990 known for his basic visual style, natural lighting, and clear narrative framing. Active in feature films and regional productions, he brings emotional depth and visual discipline to his work.

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Krishna Bahadur Thapa is a seasoned Nepali cinematographer with more than a decade of professional experience across feature films, music videos, and commercial productions. He has worked his way up through the camera department as Assistant Cinematographer, Focus Puller, First Assistant Camera, Steadicam Operator, and Chief Assistant Cinematographer, eventually establishing himself as a full‑fledged Director of Photography.His cinematography credits include Parastree (2023), Pashupati Prasad 2 – Bhasme Don (2023), Prema (2023), and Hookah (2023), with upcoming work in Ke Ghar Ke Dera – Ghar No. 2 (2025).He has contributed to major Nepali films in key technical roles, including Aama (2020), Chiso Maanchhe (2022), Mantra (2022), Teen Jantu (2021), Ghamad Shere (2019), Ranveer (2019), Ma Yesto Geet Gaauchu (2017), A Mero Hajur 2 (2017), Saayad 2 (2017), Love You Baba (2014), and Jhola (2013).He is also a Treasurer at NEFTA (Nepal Film Technician Association) and has served as a jury member and judge in national award events, including the 6th National Inclusive Music Awards (2023).