Alok Nembang

Dinesh D.C., whose full name is Dinesh Raj Dahal, is a prominent figure in the Nepali entertainment industry. He has made significant contributions as a film director, producer, actor, and TV presenter. Over the years, he has directed and acted in several acclaimed Nepali films, including Maya's Bar and Chha Ekan Chha. His work has earned him numerous awards, such as the National Film Award for Best Director. Beyond his film career, Dinesh D.C. has also been involved in broadcasting, serving as the Station Head of Kantipur Television Network and Station Manager of Radio Kantipur. In 2019, he was honored with the Prabal Janasewa Shree award for his contributions to Nepalese society.

Yogesh Ghimire is a Nepali film director and writer who began his directorial career in the 2000s after working extensively as a chief assistant director on films such as Pirati Afai Hudo Raicha, Timrai Lagi, Kranti, Kanchi Nani, and Maidaan. Transitioning to direction with titles like Sapoot, Samjhana, Timi Matra Timi, Samjhana, Mero Maya Timilai, and Na Birse Timilai Na Paye Timilai, he later gained wider recognition through Notebook, Bhool Bhulaiyaa, Prem Diwas, and Radha, noted for emotional storytelling and mainstream appeal.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Anil Budha Magar is an award‑winning Nepali film director, writer, and independent filmmaker known for his powerful storytelling rooted in the socio‑cultural and political realities of Nepal’s remote regions. Born in Taksera, Eastern Rukum, he represents a new generation of filmmakers bringing authentic rural narratives to national and international audiences.Active since 2012, Magar began his career with the acclaimed short film Lomba (The Leadership), which won five awards and received nominations at seven international film festivals. His work is characterized by deep research, cultural sensitivity, and a commitment to telling stories of marginalized communities.